9780674988460-0674988469-The Joy of Playing, the Joy of Thinking: Conversations about Art and Performance

The Joy of Playing, the Joy of Thinking: Conversations about Art and Performance

ISBN-13: 9780674988460
ISBN-10: 0674988469
Edition: Translation
Author: Charles Rosen, Catherine Temerson
Publication date: 2020
Publisher: Belknap Press: An Imprint of Harvard University Press
Format: Hardcover 160 pages
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Book details

ISBN-13: 9780674988460
ISBN-10: 0674988469
Edition: Translation
Author: Charles Rosen, Catherine Temerson
Publication date: 2020
Publisher: Belknap Press: An Imprint of Harvard University Press
Format: Hardcover 160 pages

Summary

The Joy of Playing, the Joy of Thinking: Conversations about Art and Performance (ISBN-13: 9780674988460 and ISBN-10: 0674988469), written by authors Charles Rosen, Catherine Temerson, was published by Belknap Press: An Imprint of Harvard University Press in 2020. With an overall rating of 3.5 stars, it's a notable title among other History & Criticism (Music) books. You can easily purchase or rent The Joy of Playing, the Joy of Thinking: Conversations about Art and Performance (Hardcover) from BooksRun, along with many other new and used History & Criticism books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

Brilliant, practical, and humorous conversations with one of the twentieth-century's greatest musicologists on art, culture, and the physical pain of playing a difficult passage until one attains its rewards.

Throughout his life, Charles Rosen combined formidable intelligence with immense skill as a concert pianist. He began studying at Juilliard at age seven and went on to inspire a generation of scholars to combine history, aesthetics, and score analysis in what became known as ?new musicology.?

The Joy of Playing, the Joy of Thinking presents a master class for music lovers. In interviews originally conducted and published in French, Rosen's friend Catherine Temerson asks carefully crafted questions to elicit his insights on the evolution of music?not to mention painting, theater, science, and modernism. Rosen touches on the usefulness of aesthetic reflection, the pleasure of overcoming stage fright, and the drama of conquering a technically difficult passage. He tells vivid stories about composers from Chopin and Wagner to Stravinsky and Elliott Carter. In Temerson's questions and Rosen's responses arise conundrums both practical and metaphysical. Is it possible to understand a work without analyzing it? Does music exist if it isn't played?

Throughout, Rosen returns to the theme of sensuality, arguing that if one does not possess a physical craving to play an instrument, then one should choose another pursuit. Rosen takes readers to the heart of the musical matter. ?Music is a way of instructing the soul, making it more sensitive,? he says, ?but it is useful only insofar as it is pleasurable. This pleasure is manifest to anyone who experiences music as an inexorable need of body and mind.?

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