9780674052604-0674052609-Black Models and White Myths: New Edition (Part 2) (The Image of the Black in Western Art, Volume IV)

Black Models and White Myths: New Edition (Part 2) (The Image of the Black in Western Art, Volume IV)

ISBN-13: 9780674052604
ISBN-10: 0674052609
Edition: 2
Author: Henry Louis Gates Jr., David Bindman
Publication date: 2012
Publisher: Belknap Press: An Imprint of Harvard University Press
Format: Hardcover 384 pages
FREE US shipping
Rent
35 days
from $61.40 USD
FREE shipping on RENTAL RETURNS
Rent

From $61.40

Book details

ISBN-13: 9780674052604
ISBN-10: 0674052609
Edition: 2
Author: Henry Louis Gates Jr., David Bindman
Publication date: 2012
Publisher: Belknap Press: An Imprint of Harvard University Press
Format: Hardcover 384 pages

Summary

Black Models and White Myths: New Edition (Part 2) (The Image of the Black in Western Art, Volume IV) (ISBN-13: 9780674052604 and ISBN-10: 0674052609), written by authors Henry Louis Gates Jr., David Bindman, was published by Belknap Press: An Imprint of Harvard University Press in 2012. With an overall rating of 4.0 stars, it's a notable title among other Criticism (Arts History & Criticism) books. You can easily purchase or rent Black Models and White Myths: New Edition (Part 2) (The Image of the Black in Western Art, Volume IV) (Hardcover) from BooksRun, along with many other new and used Criticism books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $2.05.

Description

In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector’s items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.

Black Models and White Myths examines the tendentious racial assumptions behind representations of Africans that emphasized the contrast between “civilization” and “savagery” and the development of so-called scientific and ethnographic racism. These works often depicted Africans within a context of sexuality and exoticism, representing their allegedly natural behavior as a counterpoint to inhibited European conduct.

Rate this book Rate this book

We would LOVE it if you could help us and other readers by reviewing the book