9780521858250-0521858259-Rembrandt's Bankruptcy: The Artist, his Patrons, and the Art Market in Seventeenth-Century Netherlands

Rembrandt's Bankruptcy: The Artist, his Patrons, and the Art Market in Seventeenth-Century Netherlands

ISBN-13: 9780521858250
ISBN-10: 0521858259
Edition: First Edition
Author: Paul Crenshaw
Publication date: 2006
Publisher: Cambridge University Press
Format: Hardcover 236 pages
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Book details

ISBN-13: 9780521858250
ISBN-10: 0521858259
Edition: First Edition
Author: Paul Crenshaw
Publication date: 2006
Publisher: Cambridge University Press
Format: Hardcover 236 pages

Summary

Rembrandt's Bankruptcy: The Artist, his Patrons, and the Art Market in Seventeenth-Century Netherlands (ISBN-13: 9780521858250 and ISBN-10: 0521858259), written by authors Paul Crenshaw, was published by Cambridge University Press in 2006. With an overall rating of 3.5 stars, it's a notable title among other Criticism (Arts History & Criticism) books. You can easily purchase or rent Rembrandt's Bankruptcy: The Artist, his Patrons, and the Art Market in Seventeenth-Century Netherlands (Hardcover) from BooksRun, along with many other new and used Criticism books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

This study, first published in 2006, examines the causes, circumstances, and effects of the 1656 bankruptcy of Rembrandt van Rijn. Following a highly successful early career, Rembrandt's idiosyncratic art and lifestyle came to dominate his reputation. His evasion of responsibility to his creditors was so socially disreputable that laws in Amsterdam were quickly altered. The poor management of his finances magnified other difficulties that he had with family, paramours, friends, neighbors, and patrons. Collectively, Rembrandt's economic and social exigencies affected his living and working environment, his public station, and his art. This study examines all of these aspects of Rembrandt's bankruptcy, including his marketing practices, the appreciation of his work, and his relations with patrons, in addition to the details of the bankruptcy itself. Several patterns of short-sighted decision-making emerge as Rembrandt conducted his affairs within a constantly changing framework of relationships, a shifting set of obligations, and evolving artistic pursuits.

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