9780521555029-0521555027-Dominion of the Eye: Urbanism, Art, and Power in Early Modern Florence

Dominion of the Eye: Urbanism, Art, and Power in Early Modern Florence

ISBN-13: 9780521555029
ISBN-10: 0521555027
Edition: First Edition
Author: Marvin Trachtenberg
Publication date: 1997
Publisher: Cambridge University Press
Format: Hardcover 384 pages
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Book details

ISBN-13: 9780521555029
ISBN-10: 0521555027
Edition: First Edition
Author: Marvin Trachtenberg
Publication date: 1997
Publisher: Cambridge University Press
Format: Hardcover 384 pages

Summary

Dominion of the Eye: Urbanism, Art, and Power in Early Modern Florence (ISBN-13: 9780521555029 and ISBN-10: 0521555027), written by authors Marvin Trachtenberg, was published by Cambridge University Press in 1997. With an overall rating of 4.4 stars, it's a notable title among other Urban & Land Use Planning (Architecture, Italy, European History, Urban Planning & Development, Social Sciences) books. You can easily purchase or rent Dominion of the Eye: Urbanism, Art, and Power in Early Modern Florence (Hardcover) from BooksRun, along with many other new and used Urban & Land Use Planning books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $1.95.

Description

Trachtenberg's book exmines the urban transformation of Florence in the fourteenth century. Focusing on the creation of the Piazza della Signoria and the Piazza del Duomo, he documents in engaging detail how and why urban planners, in league with the civic government, enlarged these urban spaces. Articulating the design principles that served as the foundation for these urban renewal projects, Trachtenberg's book fundamentally revises our understanding of urban planning in the early modern period, countering the received claim that rational planning begins only in the Renaissance. His book also brings a new depth of understanding to the entire visual culture of Trecento Florence, demonstrating how many of the developments in painting, sculpture and architecture of this period form the basis of the achievements of the Quattrocento, particularly the discovery of perspective. Combining both empirical and post-structuralist methods, Trachtenberg's book is among the first, if not the first, to question critically many of the assumptions that have formed the basis of scholarship of Renaissance art since the sixteenth century.

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