9780521519229-0521519225-Acts of Activism: Human Rights as Radical Performance (Theatre and Performance Theory)

Acts of Activism: Human Rights as Radical Performance (Theatre and Performance Theory)

ISBN-13: 9780521519229
ISBN-10: 0521519225
Edition: 1
Author: D. Soyini Madison
Publication date: 2010
Publisher: Cambridge University Press
Format: Hardcover 336 pages
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Book details

ISBN-13: 9780521519229
ISBN-10: 0521519225
Edition: 1
Author: D. Soyini Madison
Publication date: 2010
Publisher: Cambridge University Press
Format: Hardcover 336 pages

Summary

Acts of Activism: Human Rights as Radical Performance (Theatre and Performance Theory) (ISBN-13: 9780521519229 and ISBN-10: 0521519225), written by authors D. Soyini Madison, was published by Cambridge University Press in 2010. With an overall rating of 3.6 stars, it's a notable title among other books. You can easily purchase or rent Acts of Activism: Human Rights as Radical Performance (Theatre and Performance Theory) (Hardcover) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

This book was first published in 2010. Madison presents the neglected yet compelling and necessary story of local activists in South Saharan Africa who employ modes of performance as tactics of resistance and intervention in their day-to-day struggles for human rights. The dynamic relationship between performance and activism are illustrated in three case studies: Act One presents a battle between tradition and modernity as the bodies of African women are caught in the cross-fire. Act Two focuses on 'water democracy' as activists fight for safe, accessible public water as a human right. Act Three examines the efficacy of street performance and theatre for development in the oral histories of Ghanaian gender activists. Unique to this book is the continuing juxtaposition between the everyday performances of local activism and their staged enactments before theatre audiences in Ghana and the USA. Madison beautifully demonstrates how these disparate sites of performance cohere in the service of rights, justice, and activism.

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