9780521513487-0521513480-The Cambridge History of Medieval Music 2 Volume Hardback Set (The Cambridge History of Music)

The Cambridge History of Medieval Music 2 Volume Hardback Set (The Cambridge History of Music)

ISBN-13: 9780521513487
ISBN-10: 0521513480
Author: Thomas Forrest Kelly, Mark Everist
Publication date: 2018
Publisher: Cambridge University Press
Format: Hardcover 1226 pages
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Book details

ISBN-13: 9780521513487
ISBN-10: 0521513480
Author: Thomas Forrest Kelly, Mark Everist
Publication date: 2018
Publisher: Cambridge University Press
Format: Hardcover 1226 pages

Summary

The Cambridge History of Medieval Music 2 Volume Hardback Set (The Cambridge History of Music) (ISBN-13: 9780521513487 and ISBN-10: 0521513480), written by authors Thomas Forrest Kelly, Mark Everist, was published by Cambridge University Press in 2018. With an overall rating of 3.8 stars, it's a notable title among other History & Criticism (Music) books. You can easily purchase or rent The Cambridge History of Medieval Music 2 Volume Hardback Set (The Cambridge History of Music) (Hardcover) from BooksRun, along with many other new and used History & Criticism books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.

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