9780521280099-0521280095-German Aesthetic and Literary Criticism: Winckelmann, Lessing, Hamann, Herder, Schiller and Goethe (Galc)

German Aesthetic and Literary Criticism: Winckelmann, Lessing, Hamann, Herder, Schiller and Goethe (Galc)

ISBN-13: 9780521280099
ISBN-10: 0521280095
Edition: 1
Author: H. B. Nisbet
Publication date: 1985
Publisher: Cambridge University Press
Format: Paperback 328 pages
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Book details

ISBN-13: 9780521280099
ISBN-10: 0521280095
Edition: 1
Author: H. B. Nisbet
Publication date: 1985
Publisher: Cambridge University Press
Format: Paperback 328 pages

Summary

German Aesthetic and Literary Criticism: Winckelmann, Lessing, Hamann, Herder, Schiller and Goethe (Galc) (ISBN-13: 9780521280099 and ISBN-10: 0521280095), written by authors H. B. Nisbet, was published by Cambridge University Press in 1985. With an overall rating of 4.0 stars, it's a notable title among other books. You can easily purchase or rent German Aesthetic and Literary Criticism: Winckelmann, Lessing, Hamann, Herder, Schiller and Goethe (Galc) (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

This anthology, part of a three-volume series devoted to German aesthetic and literary criticism from the eighteenth and nineteenth centuries, charts the development of aesthetic and literary theory in Germany in the latter half of the eighteenth century and its emancipation from the hitherto dominant influence of France. This development helped to produce an unprecedented flowering of German culture and art which culminated in the classicism of Goethe and Schiller and in the rise of the Romantic movement, with momentous consequences for Europe as a whole. The texts gathered together here represent the main theoretical phases in this process. Their unifying theme is classicism and the author examines the theories of Winckelman, Lessing, Herder, Schiller and Hamann. The volume concludes with Goethe's essay on Winckelmann, which is both a reaffirmation of neo-classical principles and a definitive statement of the mature Goethe's own aesthetic theory.

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