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Making Images Move: Handmade Cinema and the Other Arts
ISBN-13:
9780520302730
ISBN-10:
0520302737
Edition:
First Edition
Author:
Gregory Zinman
Publication date:
2020
Publisher:
University of California Press
Format:
Paperback
392 pages
Category:
History
,
Photography & Video
,
Film & Video Art
,
History
,
Arts History & Criticism
,
Mixed Media
,
Arts Other
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Book details
ISBN-13:
9780520302730
ISBN-10:
0520302737
Edition:
First Edition
Author:
Gregory Zinman
Publication date:
2020
Publisher:
University of California Press
Format:
Paperback
392 pages
Category:
History
,
Photography & Video
,
Film & Video Art
,
History
,
Arts History & Criticism
,
Mixed Media
,
Arts Other
Summary
Making Images Move: Handmade Cinema and the Other Arts (ISBN-13: 9780520302730 and ISBN-10: 0520302737), written by authors
Gregory Zinman, was published by University of California Press in 2020.
With an overall rating of 4.0 stars, it's a notable title among other
History
(Photography & Video, Film & Video Art, History, Arts History & Criticism, Mixed Media, Arts Other) books. You can easily purchase or rent Making Images Move: Handmade Cinema and the Other Arts (Paperback) from BooksRun,
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History
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Description
Making Images Move reveals a new history of cinema by uncovering its connections to other media and art forms. In this richly illustrated volume, Gregory Zinman explores how moving-image artists who worked in experimental film pushed the medium toward abstraction through a number of unconventional filmmaking practices, including painting and scratching directly on the film strip; deteriorating film with water, dirt, and bleach; and applying materials such as paper and glue. This book provides a comprehensive history of this tradition of “handmade cinema” from the early twentieth century to the present, opening up new conversations about the production, meaning, and significance of the moving image. From painted film to kinetic art, and from psychedelic light shows to video synthesis, Gregory Zinman recovers the range of forms, tools, and intentions that make up cinema’s shadow history, deepening awareness of the intersection of art and media in the twentieth century, and anticipating what is to come.
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