9780520265608-0520265602-Cinema and Experience: Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno (Weimar and Now: German Cultural Criticism) (Volume 44)

Cinema and Experience: Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno (Weimar and Now: German Cultural Criticism) (Volume 44)

ISBN-13: 9780520265608
ISBN-10: 0520265602
Edition: First Edition
Author: Miriam Hansen, Edward Dimendberg
Publication date: 2011
Publisher: University of California Press
Format: Paperback 408 pages
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Book details

ISBN-13: 9780520265608
ISBN-10: 0520265602
Edition: First Edition
Author: Miriam Hansen, Edward Dimendberg
Publication date: 2011
Publisher: University of California Press
Format: Paperback 408 pages

Summary

Cinema and Experience: Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno (Weimar and Now: German Cultural Criticism) (Volume 44) (ISBN-13: 9780520265608 and ISBN-10: 0520265602), written by authors Miriam Hansen, Edward Dimendberg, was published by University of California Press in 2011. With an overall rating of 4.5 stars, it's a notable title among other books. You can easily purchase or rent Cinema and Experience: Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno (Weimar and Now: German Cultural Criticism) (Volume 44) (Paperback, Used) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $8.64.

Description

Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno―affiliated through friendship, professional ties, and argument―developed an astute philosophical critique of modernity in which technological media played a key role. This book explores in depth their reflections on cinema and photography from the Weimar period up to the 1960s. Miriam Bratu Hansen brings to life an impressive archive of known and, in the case of Kracauer, less known materials and reveals surprising perspectives on canonic texts, including Benjamin’s artwork essay. Her lucid analysis extrapolates from these writings the contours of a theory of cinema and experience that speaks to questions being posed anew as moving image culture evolves in response to digital technology.

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