9780520253186-0520253183-Cecilia Beaux: American Figure Painter

Cecilia Beaux: American Figure Painter

ISBN-13: 9780520253186
ISBN-10: 0520253183
Edition: 1
Author: Nina Auerbach, Sylvia Yount, Kevin Sharp, Mark Bockrath
Publication date: 2007
Publisher: University of California Press
Format: Hardcover 195 pages
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Book details

ISBN-13: 9780520253186
ISBN-10: 0520253183
Edition: 1
Author: Nina Auerbach, Sylvia Yount, Kevin Sharp, Mark Bockrath
Publication date: 2007
Publisher: University of California Press
Format: Hardcover 195 pages

Summary

Cecilia Beaux: American Figure Painter (ISBN-13: 9780520253186 and ISBN-10: 0520253183), written by authors Nina Auerbach, Sylvia Yount, Kevin Sharp, Mark Bockrath, was published by University of California Press in 2007. With an overall rating of 3.6 stars, it's a notable title among other Individual Artists (Arts Collections, Criticism, Arts History & Criticism, Museum Studies & Museology, Social Sciences) books. You can easily purchase or rent Cecilia Beaux: American Figure Painter (Hardcover) from BooksRun, along with many other new and used Individual Artists books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $3.78.

Description

At the turn of the twentieth century, the celebrated American artist William Merritt Chase named Cecilia Beaux not only the greatest living woman painter, but the best that has ever lived.” While Beauxunlike her contemporaries John Singer Sargent and Mary Cassatthas not fared well in modernist-driven art history, her work has become the subject of renewed interest on the part of art historians, collectors, and general viewers on both sides of the Atlantic, and her forty-year career represents a compelling and under-examined chapter in the history of American art. Cecilia Beaux: American Figure Painter is the most comprehensive appraisal of Beaux’s talent in more than three decades. This handsomely illustrated book presents a range of the artist’s strongest work and offers a fresh understanding of her career by examining critical questions of gender, class, and the importance of place. It features substantive essays which examine Beaux’s participation in the international portrait market of the 1890s, explore the artist’s professional identity and changing fortunes through a close reading of key images, investigate Beaux’s sensitivity to the framing and display of her work. An illustrated chronology of Beaux’s life and work, compiled by Alison Bechtel Wexler, completes the study.

Copub: High Museum

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