9780520225190-0520225198-Conversations with Cézanne (Documents of Twentieth-Century Art)

Conversations with Cézanne (Documents of Twentieth-Century Art)

ISBN-13: 9780520225190
ISBN-10: 0520225198
Edition: First Edition
Author: Michael Doran
Publication date: 2001
Publisher: University of California Press
Format: Paperback 256 pages
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Book details

ISBN-13: 9780520225190
ISBN-10: 0520225198
Edition: First Edition
Author: Michael Doran
Publication date: 2001
Publisher: University of California Press
Format: Paperback 256 pages

Summary

Conversations with Cézanne (Documents of Twentieth-Century Art) (ISBN-13: 9780520225190 and ISBN-10: 0520225198), written by authors Michael Doran, was published by University of California Press in 2001. With an overall rating of 3.7 stars, it's a notable title among other Criticism (Arts History & Criticism, History) books. You can easily purchase or rent Conversations with Cézanne (Documents of Twentieth-Century Art) (Paperback) from BooksRun, along with many other new and used Criticism books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

Michael Doran has gathered texts by contemporaries of Paul Cézanne (1839-1906)―including artists, critics, and writers―that illuminate the influential painter's philosophy of art especially in his late years. The book includes historically important essays by a dozen different authors, including Emile Bernard, Joaquim Gasquet, Maurice Denis, and Ambroise Vollard, along with selections from Cézanne's own letters.

In addition to the material included in the original French edition of the book, which has also been published in German, Italian, Spanish, and Japanese, this edition contains an introduction written especially for it by noted Cézanne scholar Richard Shiff. The book closes with Lawrence Gowing's magisterial essay, "The Logic of Organized Sensations," first published in 1977 and long out of print.

Cézanne's work, and the thinking that lay behind it, have been of inestimable importance to the artists who followed him. This gathering of writings will be of enormous interest to artists, writers, art historians―indeed to all students of modern art.

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