9780500238950-0500238952-The Books that Shaped Art History: From Gombrich and Greenberg to Alpers and Krauss

The Books that Shaped Art History: From Gombrich and Greenberg to Alpers and Krauss

ISBN-13: 9780500238950
ISBN-10: 0500238952
Edition: Illustrated
Author: Richard Shone, John-Paul Stonard
Publication date: 2013
Publisher: Thames & Hudson
Format: Hardcover 208 pages
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Book details

ISBN-13: 9780500238950
ISBN-10: 0500238952
Edition: Illustrated
Author: Richard Shone, John-Paul Stonard
Publication date: 2013
Publisher: Thames & Hudson
Format: Hardcover 208 pages

Summary

The Books that Shaped Art History: From Gombrich and Greenberg to Alpers and Krauss (ISBN-13: 9780500238950 and ISBN-10: 0500238952), written by authors Richard Shone, John-Paul Stonard, was published by Thames & Hudson in 2013. With an overall rating of 3.6 stars, it's a notable title among other Criticism (Arts History & Criticism, History) books. You can easily purchase or rent The Books that Shaped Art History: From Gombrich and Greenberg to Alpers and Krauss (Hardcover) from BooksRun, along with many other new and used Criticism books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $2.85.

Description

An exemplary survey that reassesses the impact of the most important books to have shaped art history through the twentieth century

Written by some of today’s leading art historians and curators, this new collection provides an invaluable road map of the field by comparing and reexamining canonical works of art history. From Émile Mâle’s magisterial study of thirteenth-century French art, first published in 1898, to Hans Belting’s provocative Likeness and Presence: A History of the Image before the Era of Art, the book provides a concise and insightful overview of the history of art, told through its most enduring literature. Each of the essays looks at the impact of a single major book of art history, mapping the intellectual development of the writer under review, setting out the premises and argument of the book, considering its position within the broader field of art history, and analyzing its significance in the context of both its initial reception and its afterlife. An introduction by John-Paul Stonard explores how art history has been forged by outstanding contributions to scholarship, and by the dialogues and ruptures between them. 54 illustrations
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