9780470659281-0470659289-A Companion to Hong Kong Cinema (Wiley Blackwell Companions to National Cinemas)

A Companion to Hong Kong Cinema (Wiley Blackwell Companions to National Cinemas)

ISBN-13: 9780470659281
ISBN-10: 0470659289
Edition: 1
Author: Gina Marchetti, Esther M. K. Cheung, Esther C. M. Yau
Publication date: 2015
Publisher: Wiley-Blackwell
Format: Hardcover 640 pages
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Book details

ISBN-13: 9780470659281
ISBN-10: 0470659289
Edition: 1
Author: Gina Marchetti, Esther M. K. Cheung, Esther C. M. Yau
Publication date: 2015
Publisher: Wiley-Blackwell
Format: Hardcover 640 pages

Summary

A Companion to Hong Kong Cinema (Wiley Blackwell Companions to National Cinemas) (ISBN-13: 9780470659281 and ISBN-10: 0470659289), written by authors Gina Marchetti, Esther M. K. Cheung, Esther C. M. Yau, was published by Wiley-Blackwell in 2015. With an overall rating of 4.0 stars, it's a notable title among other books. You can easily purchase or rent A Companion to Hong Kong Cinema (Wiley Blackwell Companions to National Cinemas) (Hardcover) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

A Companion to Hong Kong Cinema provides the first comprehensive scholarly exploration of this unique global cinema. By embracing the interdisciplinary approach of contemporary film and cultural studies, this collection navigates theoretical debates while charting a new course for future research in Hong Kong film.

  • Examines Hong Kong cinema within an interdisciplinary context, drawing connections between media, gender, and Asian studies, Asian regional studies, Chinese language and cultural studies, global studies, and critical theory
  • Highlights the often contentious debates that shape current thinking about film as a medium and its possible future
  • Investigates how changing research on gender, the body, and sexual orientation alter the ways in which we analyze sexual difference in Hong Kong cinema
  • Charts how developments in theories of colonialism, postcolonialism, globalization, neoliberalism, Orientalism, and nationalism transform our understanding of the economics and politics of the Hong Kong film industry
  • Explores how the concepts of diaspora, nostalgia, exile, and trauma offer opportunities to rethink accepted ways of understanding Hong Kong’s popular cinematic genres and stars
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