9780415996686-0415996686-Beyond Prime Time: Television Programming in the Post-Network Era

Beyond Prime Time: Television Programming in the Post-Network Era

ISBN-13: 9780415996686
ISBN-10: 0415996686
Edition: 1
Author: Amanda Lotz
Publication date: 2009
Publisher: Routledge
Format: Hardcover 222 pages
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Book details

ISBN-13: 9780415996686
ISBN-10: 0415996686
Edition: 1
Author: Amanda Lotz
Publication date: 2009
Publisher: Routledge
Format: Hardcover 222 pages

Summary

Beyond Prime Time: Television Programming in the Post-Network Era (ISBN-13: 9780415996686 and ISBN-10: 0415996686), written by authors Amanda Lotz, was published by Routledge in 2009. With an overall rating of 3.8 stars, it's a notable title among other books. You can easily purchase or rent Beyond Prime Time: Television Programming in the Post-Network Era (Hardcover) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.6.

Description

Daytime soap operas. Evening news. Late-night talk shows. Television has long been defined by its daily schedule, and the viewing habits that develop around it. Technologies like DVRs, iPods, and online video have freed audiences from rigid time constraints―we no longer have to wait for a program to be "on" to watch it―but scheduling still plays a major role in the production of television.

Prime-time series programming between 8:00 and 11:00 p.m. has dominated most critical discussion about television since its beginnings, but Beyond Prime Time brings together leading television scholars to explore how shifts in television’s industrial practices and new media convergence have affected the other 80% of the viewing day. The contributors explore a broad range of non-prime-time forms including talk shows, soap operas, news, syndication, and children’s programs, non-series forms such as sports and made-for-television movies, as well as entities such as local affiliate stations and public television.

Importantly, all of these forms rely on norms of production, financing, and viewer habits that distinguish them from the practices common among prime-time series and often from each other. Each of the chapters examines how the production practices and textual strategies of a particular programming form have shifted in response to sweeping industry changes, together telling the story of a medium in transition at the beginning of the twenty-first century.

Contributors: Sarah Banet-Weiser, Victoria E. Johnson, Jeffrey P. Jones, Derek Kompare, Elana Levine, Amanda D. Lotz, Jonathan Nichols-Pethick, Laurie Ouellette, Erin Copple Smith

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