9780415960465-0415960460-Renaissance Theory (The Art Seminar)

Renaissance Theory (The Art Seminar)

ISBN-13: 9780415960465
ISBN-10: 0415960460
Edition: 1
Author: James Elkins, Robert Williams
Publication date: 2008
Publisher: Routledge
Format: Paperback 564 pages
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Book details

ISBN-13: 9780415960465
ISBN-10: 0415960460
Edition: 1
Author: James Elkins, Robert Williams
Publication date: 2008
Publisher: Routledge
Format: Paperback 564 pages

Summary

Renaissance Theory (The Art Seminar) (ISBN-13: 9780415960465 and ISBN-10: 0415960460), written by authors James Elkins, Robert Williams, was published by Routledge in 2008. With an overall rating of 3.8 stars, it's a notable title among other Criticism (Arts History & Criticism, History, Writing, Writing, Research & Publishing Guides, Communication & Media Studies, Social Sciences) books. You can easily purchase or rent Renaissance Theory (The Art Seminar) (Paperback) from BooksRun, along with many other new and used Criticism books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.41.

Description

Renaissance Theory presents an animated conversation among art historians about the optimal ways of conceptualizing Renaissance art, and the links between Renaissance art and contemporary art and theory. This is the first discussion of its kind, involving not only questions within Renaissance scholarship, but issues of concern to art historians and critics in all fields. Organized as a virtual roundtable discussion, the contributors discuss rifts and disagreements about how to understand the Renaissance and debate the principal texts and authors of the last thirty years who have sought to reconceptualize the period. They then turn to the issue of the relation between modern art and the Renaissance: Why do modern art historians and critics so seldom refer to the Renaissance? Is the Renaissance our indispensable heritage, or are we cut off from it by the revolution of modernism?

The volume includes an introduction by Rebecca Zorach and two final, synoptic essays, as well as contributions from some of the most prominent thinkers on Renaissance art including Stephen Campbell, Michael Cole, Frederika Jakobs, Claire Farago, and Matt Kavaler.

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