9780415380683-0415380685-Hong Kong Film, Hollywood and New Global Cinema: No Film is An Island (Media, Culture and Social Change in Asia)

Hong Kong Film, Hollywood and New Global Cinema: No Film is An Island (Media, Culture and Social Change in Asia)

ISBN-13: 9780415380683
ISBN-10: 0415380685
Edition: 1
Author: Tan, Marchetti
Publication date: 2006
Publisher: Routledge
Format: Hardcover 290 pages
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Book details

ISBN-13: 9780415380683
ISBN-10: 0415380685
Edition: 1
Author: Tan, Marchetti
Publication date: 2006
Publisher: Routledge
Format: Hardcover 290 pages

Summary

Hong Kong Film, Hollywood and New Global Cinema: No Film is An Island (Media, Culture and Social Change in Asia) (ISBN-13: 9780415380683 and ISBN-10: 0415380685), written by authors Tan, Marchetti, was published by Routledge in 2006. With an overall rating of 4.3 stars, it's a notable title among other books. You can easily purchase or rent Hong Kong Film, Hollywood and New Global Cinema: No Film is An Island (Media, Culture and Social Change in Asia) (Hardcover) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

In recent years, with the establishment of the Hong Kong Film Archive and growing scholarly interest in the history of Hong Kong cinema, previously neglected historical documents and difficult-to-access films have offered new research materials. As Hong Kong film history comes into sharper focus, its inextricable links across the decades to Southeast Asia, Korea, Japan, the United States, and to the far reaches of the Chinese diaspora have also become more evident. Hong Kong’s connection with Hollywood involves ties that bring together art cinema and popular genres as well as film festivals and the media marketplace with popular transnational genres. Giving fresh and facsinating insights into the vibrant area of Hong Kong, this exciting new book links Hong Kong with world film culture both within and beyond the commercial Hollywood paradigm. It emphasizes Hong Kong film in relation to other cinema industries, including Hollywood, and demonstrates that Hong Kong film, throughout its history, has challenged, redefined, expanded, and exceeded its borders.
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