9780393929188-0393929183-Music in the Eighteenth Century (Western Music in Context: A Norton History)

Music in the Eighteenth Century (Western Music in Context: A Norton History)

ISBN-13: 9780393929188
ISBN-10: 0393929183
Edition: Illustrated
Author: John A. Rice
Publication date: 2012
Publisher: W. W. Norton & Company
Format: Paperback 336 pages
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Book details

ISBN-13: 9780393929188
ISBN-10: 0393929183
Edition: Illustrated
Author: John A. Rice
Publication date: 2012
Publisher: W. W. Norton & Company
Format: Paperback 336 pages

Summary

Music in the Eighteenth Century (Western Music in Context: A Norton History) (ISBN-13: 9780393929188 and ISBN-10: 0393929183), written by authors John A. Rice, was published by W. W. Norton & Company in 2012. With an overall rating of 3.9 stars, it's a notable title among other History & Criticism (Music) books. You can easily purchase or rent Music in the Eighteenth Century (Western Music in Context: A Norton History) (Paperback) from BooksRun, along with many other new and used History & Criticism books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $5.79.

Description

Eighteenth Century Music in its cultural, social, and intellectual contexts.

John Rice's Music in the Eighteenth Century takes the reader on an engrossing Grand Tour of Europe's musical centers, from Naples, to London, Berlin, Vienna, Prague, and St. Petersburg ―with a side trip to the colonial New World. Against the backdrop of Europe's largely peaceful division into Catholic and Protestant realms, Rice shows how "learned" and "galant" styles developed and commingled. While considering Mozart, Haydn, and early Beethoven in depth, he broadens his focus to assess the contributions of lesser-known but significant figures like Johann Adam Hiller, Francois-André Philidor, and Anna Bon.

Western Music in Context: A Norton History comprises six volumes of moderate length, each written in an engaging style by a recognized expert. Authoritative and current, the series examines music in the broadest sense―as sounds notated, performed, and heard―focusing not only on composers and works, but also on broader social and intellectual currents.
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