9780393057218-0393057216-A History of Opera

A History of Opera

ISBN-13: 9780393057218
ISBN-10: 0393057216
Edition: First Edition
Author: Roger Parker, Carolyn Abbate
Publication date: 2012
Publisher: W. W. Norton & Company
Format: Hardcover 624 pages
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Book details

ISBN-13: 9780393057218
ISBN-10: 0393057216
Edition: First Edition
Author: Roger Parker, Carolyn Abbate
Publication date: 2012
Publisher: W. W. Norton & Company
Format: Hardcover 624 pages

Summary

A History of Opera (ISBN-13: 9780393057218 and ISBN-10: 0393057216), written by authors Roger Parker, Carolyn Abbate, was published by W. W. Norton & Company in 2012. With an overall rating of 4.5 stars, it's a notable title among other History & Criticism (Music) books. You can easily purchase or rent A History of Opera (Hardcover) from BooksRun, along with many other new and used History & Criticism books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $1.23.

Description

A bold, engaging exploration of opera’s fundamental nature and enduring appeal, from the sixteenth century to the present.

A History of Opera, the first new, full-length, single-volume history of opera for more than a generation, provokes in-depth discussions of many works by the greatest opera composers, from Monteverdi, Handel, and Mozart to Verdi and Wagner, to Strauss, Puccini, Berg, and Britten. There are lively discussions of opera’s social, political, and literary backgrounds, its economic cicumstances, and the almost continual polemics that have accompanied its development through the centuries. Central to the book is an exploration of the tensions―between words and music, character and singer―that have always sustained and enlivened opera. In a polemical final chapter, Carolyn Abbate and Roger Parker examine the problems that opera has faced in the last half century, when new works―once opera’s lifeblood―have shrunk to a tiny minority and have largely failed to find a permanent place in the repertoire.

Yet the book’s message is one of celebration. Even if the majority of opera’s most popular and enduring works were written in what is now a remote European past and in circumstances very different from our own, and even if the viability of contemporary opera is ever more in question, opera as an art form remains extraordinarily buoyant and challenging. It continues to transform people physically, emotionally, and intellectually, and to articulate human experience in ways no other art form can match.

24 pages of illustrations, including four-color
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