9780385509725-0385509723-The King and I: The Uncensored Tale of Luciano Pavarotti's Rise to Fame by His Manager, Friend and Sometime Adversary

The King and I: The Uncensored Tale of Luciano Pavarotti's Rise to Fame by His Manager, Friend and Sometime Adversary

ISBN-13: 9780385509725
ISBN-10: 0385509723
Edition: Stated First Edition; First Printing
Author: Herbert Breslin, Anne Midgette
Publication date: 2004
Publisher: Doubleday
Format: Hardcover 320 pages
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Book details

ISBN-13: 9780385509725
ISBN-10: 0385509723
Edition: Stated First Edition; First Printing
Author: Herbert Breslin, Anne Midgette
Publication date: 2004
Publisher: Doubleday
Format: Hardcover 320 pages

Summary

The King and I: The Uncensored Tale of Luciano Pavarotti's Rise to Fame by His Manager, Friend and Sometime Adversary (ISBN-13: 9780385509725 and ISBN-10: 0385509723), written by authors Herbert Breslin, Anne Midgette, was published by Doubleday in 2004. With an overall rating of 4.5 stars, it's a notable title among other Musical Genres (Composers & Musicians, Arts & Literature, Music) books. You can easily purchase or rent The King and I: The Uncensored Tale of Luciano Pavarotti's Rise to Fame by His Manager, Friend and Sometime Adversary (Hardcover) from BooksRun, along with many other new and used Musical Genres books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.52.

Description

Luciano Pavarotti’s longtime manager and friend tells all. All.

The King and I is the story of the thirty-six-year-old business relationship between Luciano Pavarotti and his manager, Herbert Breslin, during which Breslin guided what he calls, justifiably, “the greatest career in classical music.” During that career, Breslin moved Pavarotti out of the opera house and onto the concert (and the world) stage and into the arms of a huge mass public. How he and Pavarotti changed the landscape of opera is one of the most significant and entertaining stories in the history of classical music, and Herbert Breslin relates the tale in a brash, candid, witty fashion that is often bitingly frank and profane. He also provides a portrait of his friend and client—“a beautiful, simple, lovely guy who turned into a very determined, aggressive, and somewhat unhappy superstar”—that is by turns affectionate and satirical and full of hilarious details and tales out of school, with Pavarotti emerging as something like the ultimate Italian male. The book is also enlivened by the voices of other players in the soap opera drama that was Pavarotti’s career, and they are no less uncensored than Herbert Breslin. The last word, in fact, comes from none other than Luciano Pavarotti himself!
The King and I is the ultimate backstage book about the greatest opera star of the past century—and it’s a delight to read as well.

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