9780367622138-0367622130-Sound Teaching

Sound Teaching

ISBN-13: 9780367622138
ISBN-10: 0367622130
Edition: 1
Author: Renee Timmers, Henrique Meissner, Stephanie E. Pitts
Publication date: 2021
Publisher: Routledge
Format: Hardcover 158 pages
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Book details

ISBN-13: 9780367622138
ISBN-10: 0367622130
Edition: 1
Author: Renee Timmers, Henrique Meissner, Stephanie E. Pitts
Publication date: 2021
Publisher: Routledge
Format: Hardcover 158 pages

Summary

Sound Teaching (ISBN-13: 9780367622138 and ISBN-10: 0367622130), written by authors Renee Timmers, Henrique Meissner, Stephanie E. Pitts, was published by Routledge in 2021. With an overall rating of 4.2 stars, it's a notable title among other Instruments (Behavioral Sciences, Music) books. You can easily purchase or rent Sound Teaching (Hardcover) from BooksRun, along with many other new and used Instruments books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

Sound Teaching explores the ways in which music psychology and education can meet to inspire developments in the teaching and learning of music performance.
The book is based on music practitioners’ research into aspects of their own professional practice. Each chapter addresses a specific topic related to musical communication and expression, performance confidence and enjoyment, or skill development in individual and group learning. It explains the background of the research, outlines main findings, and provides suggestions for practical applications. Sound Teaching provides a research-informed approach to teaching and contributes to music tutors’ professional development in teaching children and adults of various ages and abilities.
Sound Teaching is written for vocal and instrumental music teachers, music performers with a portfolio career, and music students at conservatoires and universities. Music students undertaking practice-related research will find examples of research methodologies and projects that are informative for their studies. Musical participants of all kinds – students, teachers, performers, and audiences – will find new ways of understanding their practice and experience through research.

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