9780367204464-0367204460-The Learner-Centered Music Classroom: Models and Possibilities

The Learner-Centered Music Classroom: Models and Possibilities

ISBN-13: 9780367204464
ISBN-10: 0367204460
Edition: 1
Author: David A Williams, Jonathan R Kladder
Publication date: 2019
Publisher: Routledge
Format: Paperback 184 pages
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Book details

ISBN-13: 9780367204464
ISBN-10: 0367204460
Edition: 1
Author: David A Williams, Jonathan R Kladder
Publication date: 2019
Publisher: Routledge
Format: Paperback 184 pages

Summary

The Learner-Centered Music Classroom: Models and Possibilities (ISBN-13: 9780367204464 and ISBN-10: 0367204460), written by authors David A Williams, Jonathan R Kladder, was published by Routledge in 2019. With an overall rating of 4.3 stars, it's a notable title among other Theory, Composition & Performance (Music) books. You can easily purchase or rent The Learner-Centered Music Classroom: Models and Possibilities (Paperback) from BooksRun, along with many other new and used Theory, Composition & Performance books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.72.

Description

The Learner-Centered Music Classroom: Models and Possibilities is a resource for practicing music teachers, providing them with practical ideas and lesson plans for implementing learner-centered pedagogical concepts into their music classrooms. The purpose of this book is to propose a variety of learner-centered models for music teaching and learning through the use of a variety of autoethnographic viewpoints. Nine contributors provide working and concrete examples of learner-centered models from their classrooms. Offering lesson plan ideas in each of these areas, the contributors provide practical approaches for implementation of learner-centered approaches in music instruction across a variety of landscapes.

Learner-centered teaching provides an approach to music education that encourages social, interactive, culturally responsive, creative, peer-based, open-formed, facilitated and democratic learning. Chapter 1 defines the what, why, and perceived benefits of learner-centered approaches in music teaching and learning contexts Chapters 2-10 will include example lesson plans, rubrics, etc. as models for teachers. The contributors to this book suggest that learner-centered approaches, when embedded into the culture and curricular framework of a music classroom, offer exciting approaches for teaching music in ways that are culturally and educationally appropriate in contemporary education.

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