9780313301735-0313301735-A Reader's Guide to Haydn's Early String Quartets (Reader's Guides to Musical Genres)

A Reader's Guide to Haydn's Early String Quartets (Reader's Guides to Musical Genres)

ISBN-13: 9780313301735
ISBN-10: 0313301735
Author: William Drabkin
Publication date: 1999
Publisher: Greenwood
Format: Hardcover 200 pages
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Book details

ISBN-13: 9780313301735
ISBN-10: 0313301735
Author: William Drabkin
Publication date: 1999
Publisher: Greenwood
Format: Hardcover 200 pages

Summary

A Reader's Guide to Haydn's Early String Quartets (Reader's Guides to Musical Genres) (ISBN-13: 9780313301735 and ISBN-10: 0313301735), written by authors William Drabkin, was published by Greenwood in 1999. With an overall rating of 3.5 stars, it's a notable title among other books. You can easily purchase or rent A Reader's Guide to Haydn's Early String Quartets (Reader's Guides to Musical Genres) (Hardcover) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

The six string quartets comprising Joseph Haydn's Opus 20 (composed in 1772) are the first works in the genre to have received consistent critical attention from writers on music. The twenty-two quartets Haydn wrote before this date, though rarely discussed by historians and theorists and seldom performed in public, are nevertheless fundamental to the development of the quartet and thus inseparable from Opus 20 itself. This thoughtful discussion provides a basis upon which to study the quartet by showing how the relationship among the four players can best be understood as a musical dialogue. A methodology is developed for analyzing these quartets by focusing on the characteristics of string instruments that inform not only the style of the music, but also the materials of the composition. The changing relationships among the instruments reveal the level of sophistication evident in Haydn's early works and attest to the affinity these works have with his later masterpieces. Music scholars and educators will appreciate the generous musical examples and clear prose that explains the more detailed analysis of the Opus 20 set.

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