9780313301605-0313301603-Historical Nightmares and Imaginative Violence in American Women's Writings (Contributions in Women's Studies)

Historical Nightmares and Imaginative Violence in American Women's Writings (Contributions in Women's Studies)

ISBN-13: 9780313301605
ISBN-10: 0313301603
Edition: First Edition, First Printing
Author: Amy S. Gottfried
Publication date: 1998
Publisher: Praeger
Format: Hardcover 176 pages
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Book details

ISBN-13: 9780313301605
ISBN-10: 0313301603
Edition: First Edition, First Printing
Author: Amy S. Gottfried
Publication date: 1998
Publisher: Praeger
Format: Hardcover 176 pages

Summary

Historical Nightmares and Imaginative Violence in American Women's Writings (Contributions in Women's Studies) (ISBN-13: 9780313301605 and ISBN-10: 0313301603), written by authors Amy S. Gottfried, was published by Praeger in 1998. With an overall rating of 4.3 stars, it's a notable title among other Women Writers (Women's Studies) books. You can easily purchase or rent Historical Nightmares and Imaginative Violence in American Women's Writings (Contributions in Women's Studies) (Hardcover) from BooksRun, along with many other new and used Women Writers books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

A considerable number of women's novels document histories of ferocity and abuse. Gottfried examines a sampling of these novels, including Toni Morrison's Beloved, Cynthia Ozick's The Shawl, and Leslie Marmon Silko's epic Almanac of the Dead. From the msrspective of social and historical conditions influencing much of contemporary women's writings, she investigates the uses of violence in these novels. She argues that the authors discussed wield violence both to uncover long-suppressed stories and to dramatically change the perspectives from which these stories have traditionally been told and heard.

While focusing on American fiction, the author explores narrative strategies and styles. Pivotal to Gottfried's interpretive readings are the effects of gender, nationality, and race. She particularly addresses the complicated and shifting relationships between art and violence, as well as between history and memory. She also identifies two types of violence: the brutal acts with which these narratives originate, and the fiercely imaginative acts necessary to change the histories being retold and reclaimed. This book is important reading for students and scholars of women's and American studies and American literature in general.

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