9780300250923-0300250924-The Arts of Africa: Studying and Conserving the Collection; Virginia Museum of Fine Arts

The Arts of Africa: Studying and Conserving the Collection; Virginia Museum of Fine Arts

ISBN-13: 9780300250923
ISBN-10: 0300250924
Author: Richard B. Woodward, Ndubuisi Ezeluomba, Ash Duhrkoop, Sheila Payaqui, Ainslie Harrison, Casey Mallinckrodt, Kathryn Brugioni Gabrielli
Publication date: 2021
Publisher: Virginia Museum of Fine Arts
Format: Paperback 296 pages
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Book details

ISBN-13: 9780300250923
ISBN-10: 0300250924
Author: Richard B. Woodward, Ndubuisi Ezeluomba, Ash Duhrkoop, Sheila Payaqui, Ainslie Harrison, Casey Mallinckrodt, Kathryn Brugioni Gabrielli
Publication date: 2021
Publisher: Virginia Museum of Fine Arts
Format: Paperback 296 pages

Summary

The Arts of Africa: Studying and Conserving the Collection; Virginia Museum of Fine Arts (ISBN-13: 9780300250923 and ISBN-10: 0300250924), written by authors Richard B. Woodward, Ndubuisi Ezeluomba, Ash Duhrkoop, Sheila Payaqui, Ainslie Harrison, Casey Mallinckrodt, Kathryn Brugioni Gabrielli, was published by Virginia Museum of Fine Arts in 2021. With an overall rating of 4.5 stars, it's a notable title among other Arts Collections (Criticism, Arts History & Criticism, Museum Studies & Museology, Social Sciences, Physical, Anthropology) books. You can easily purchase or rent The Arts of Africa: Studying and Conserving the Collection; Virginia Museum of Fine Arts (Paperback) from BooksRun, along with many other new and used Arts Collections books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

A groundbreaking analysis of one of the most significant collections of African art in the United States

The collection of African art at the Virginia Museum of Fine Arts is among the most comprehensive in the United States, featuring works in all media from across the continent dating from antiquity to today. This handsome volume, the product of a groundbreaking collaboration between the museum's curators and conservators, supported by a major grant from the Andrew W. Mellon Foundation, presents highlights from the collection--some never before published--alongside new scientific analysis and imaging. Six chapters detail both the historiographical and technical concerns at play in collecting and conserving African art. The result promises to deepen our understanding of the art in the dynamics of their original communities and as they appear now in a museum context.

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