9780300244564-0300244568-Practical Form: Abstraction, Technique, and Beauty in Eighteenth-Century Aesthetics (The Lewis Walpole Series in Eighteenth-Century Culture and History)

Practical Form: Abstraction, Technique, and Beauty in Eighteenth-Century Aesthetics (The Lewis Walpole Series in Eighteenth-Century Culture and History)

ISBN-13: 9780300244564
ISBN-10: 0300244568
Author: Abigail Zitin
Publication date: 2020
Publisher: Yale University Press
Format: Hardcover 248 pages
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Book details

ISBN-13: 9780300244564
ISBN-10: 0300244568
Author: Abigail Zitin
Publication date: 2020
Publisher: Yale University Press
Format: Hardcover 248 pages

Summary

Practical Form: Abstraction, Technique, and Beauty in Eighteenth-Century Aesthetics (The Lewis Walpole Series in Eighteenth-Century Culture and History) (ISBN-13: 9780300244564 and ISBN-10: 0300244568), written by authors Abigail Zitin, was published by Yale University Press in 2020. With an overall rating of 3.9 stars, it's a notable title among other books. You can easily purchase or rent Practical Form: Abstraction, Technique, and Beauty in Eighteenth-Century Aesthetics (The Lewis Walpole Series in Eighteenth-Century Culture and History) (Hardcover) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.53.

Description

A groundbreaking study of the development of form in eighteenth-century aesthetics

 

In this original work, Abigail Zitin proposes a new history of the development of form as a concept in and for aesthetics. Her account substitutes women and artisans for the proverbial man of taste, asserting them as central figures in the rise of aesthetics as a field of philosophical inquiry in eighteenth-century Europe. She shows how the idea of formal abstraction so central to conceptions of beauty in this period emerges from the way practitioners think about craft and skill across the domestic, industrial, and so-called high arts. Zitin elegantly maps the complex connections among aesthetics, form, and formalism, drawing out the understated presence of practice in the writings of major eighteenth-century thinkers including Locke, Addison, Burke, and Kant. This new take on an old story ultimately challenges readers to reconsider form and why it matters.

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