9780300236996-0300236999-Frank Stella Unbound: Literature and Printmaking

Frank Stella Unbound: Literature and Printmaking

ISBN-13: 9780300236996
ISBN-10: 0300236999
Author: Mitra Abbaspour, Calvin Brown, Erica Cooke
Publication date: 2018
Publisher: Princeton University Art Museum
Format: Hardcover 112 pages
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Book details

ISBN-13: 9780300236996
ISBN-10: 0300236999
Author: Mitra Abbaspour, Calvin Brown, Erica Cooke
Publication date: 2018
Publisher: Princeton University Art Museum
Format: Hardcover 112 pages

Summary

Frank Stella Unbound: Literature and Printmaking (ISBN-13: 9780300236996 and ISBN-10: 0300236999), written by authors Mitra Abbaspour, Calvin Brown, Erica Cooke, was published by Princeton University Art Museum in 2018. With an overall rating of 4.3 stars, it's a notable title among other Monographs (Individual Artists) books. You can easily purchase or rent Frank Stella Unbound: Literature and Printmaking (Hardcover) from BooksRun, along with many other new and used Monographs books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $7.23.

Description

Focusing on the vital role of literature in the development of the artistic practice of Frank Stella (b. 1936), this insightful book looks at four transformative series of prints made between 1984 and 1999. Each of these series is named after a literary work—the Had Gadya (a playful song traditionally sung at the end of the Passover Seder), Italian Folktales, compiled by Italo Calvino, Moby-Dick by Herman Melville, and The Dictionary of Imaginary Places by Alberto Manguel and Gianni Guadalupi. This investigation offers a critical new perspective on Stella: an examination of his interdisciplinary process, literary approach, and interest in the lessons of art history as crucial factors for his artistic development as a printmaker. Mitra Abbaspour, Calvin Brown, and Erica Cooke examine how Stella’s dynamic engagement with literature paralleled the artist’s experimentation with unconventional printmaking techniques and engendered new ways of representing spatial depth to unleash the narrative potential of abstract forms.

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