9780300233032-0300233035-Analog Culture: Printer's Proofs from the Schneider/Erdman Photography Lab, 1981–2001

Analog Culture: Printer's Proofs from the Schneider/Erdman Photography Lab, 1981–2001

ISBN-13: 9780300233032
ISBN-10: 0300233035
Edition: Illustrated
Author: Jessica Williams, Robert G. Erdmann, Lorna Simpson, Gary Schneider, Robert Gober, Robin Kelsey, Jennifer Quick, Deborah Bell, James Casebere, John Schnabel
Publication date: 2018
Publisher: Harvard Art Museums
Format: Hardcover 190 pages
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Book details

ISBN-13: 9780300233032
ISBN-10: 0300233035
Edition: Illustrated
Author: Jessica Williams, Robert G. Erdmann, Lorna Simpson, Gary Schneider, Robert Gober, Robin Kelsey, Jennifer Quick, Deborah Bell, James Casebere, John Schnabel
Publication date: 2018
Publisher: Harvard Art Museums
Format: Hardcover 190 pages

Summary

Analog Culture: Printer's Proofs from the Schneider/Erdman Photography Lab, 1981–2001 (ISBN-13: 9780300233032 and ISBN-10: 0300233035), written by authors Jessica Williams, Robert G. Erdmann, Lorna Simpson, Gary Schneider, Robert Gober, Robin Kelsey, Jennifer Quick, Deborah Bell, James Casebere, John Schnabel, was published by Harvard Art Museums in 2018. With an overall rating of 4.3 stars, it's a notable title among other books. You can easily purchase or rent Analog Culture: Printer's Proofs from the Schneider/Erdman Photography Lab, 1981–2001 (Hardcover) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

Providing an expansive and revelatory look at the collaborative artistic relationship between photographers and printers, this book focuses on the work and practice of Schneider/Erdman, Inc., a Manhattan-based printing business owned by Gary Schneider and John Erdman from 1981 to 2001. Well-known within the booming New York photography scene, Schneider and Erdman printed works by artists such as Richard Avedon, Matthew Barney, and Nan Goldin. In addition to a thorough overview of Schneider and Erdman’s technical mastery of printing methods and materials, Analog Culture also sheds light on the importance of the close personal relationship between photographers and printers within the art-making process. The striking works reproduced in the volume are enhanced by exclusive interviews with Schneider, Erdman, and their collaborators, offering an unparalleled behind-the-scenes view of New York’s photographic culture in the late 20th century.

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