9780300232981-0300232985-Charles White: A Retrospective

Charles White: A Retrospective

ISBN-13: 9780300232981
ISBN-10: 0300232985
Author: Sarah Kelly Oehler, Esther Adler
Publication date: 2018
Publisher: Art Institute of Chicago
Format: Hardcover 248 pages
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ISBN-13: 9780300232981
ISBN-10: 0300232985
Author: Sarah Kelly Oehler, Esther Adler
Publication date: 2018
Publisher: Art Institute of Chicago
Format: Hardcover 248 pages

Summary

Charles White: A Retrospective (ISBN-13: 9780300232981 and ISBN-10: 0300232985), written by authors Sarah Kelly Oehler, Esther Adler, was published by Art Institute of Chicago in 2018. With an overall rating of 4.0 stars, it's a notable title among other Monographs (Individual Artists, Arts Collections, Criticism, Arts History & Criticism, History) books. You can easily purchase or rent Charles White: A Retrospective (Hardcover) from BooksRun, along with many other new and used Monographs books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $19.03.

Description

A revelatory reassessment of one of the most influential American artists of the 20th century

Charles White (1918–1979) is best known for bold, large-scale paintings and drawings of African Americans, meticulously executed works that depict human relationships and socioeconomic struggles with a remarkable sensitivity. This comprehensive study offers a much-needed reexamination of the artist’s career and legacy. With handsome reproductions of White’s finest paintings, drawings, and prints, the volume introduces his work to contemporary audiences, reclaims his place in the art-historical narrative, and stresses the continuing relevance of his insistent dedication to producing positive social change through art.

Tracing White’s career from his emergence in Chicago to his mature practice as an artist, activist, and educator in New York and Los Angeles, leading experts provide insights into White’s creative process, his work as a photographer, his political activism and interest in history, the relationship between his art and his teaching, and the importance of feminism in his work. A preface by Kerry James Marshall addresses White’s significance as a mentor to an entire generation of practitioners and underlines the importance of this largely overlooked artist.
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