9780300228618-0300228619-Tarsila do Amaral: Inventing Modern Art in Brazil

Tarsila do Amaral: Inventing Modern Art in Brazil

ISBN-13: 9780300228618
ISBN-10: 0300228619
Author: Stephanie DAlessandro, Luis Pérez-Oramas
Publication date: 2017
Publisher: Art Institute of Chicago
Format: Hardcover 192 pages
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Book details

ISBN-13: 9780300228618
ISBN-10: 0300228619
Author: Stephanie DAlessandro, Luis Pérez-Oramas
Publication date: 2017
Publisher: Art Institute of Chicago
Format: Hardcover 192 pages

Summary

Tarsila do Amaral: Inventing Modern Art in Brazil (ISBN-13: 9780300228618 and ISBN-10: 0300228619), written by authors Stephanie DAlessandro, Luis Pérez-Oramas, was published by Art Institute of Chicago in 2017. With an overall rating of 3.9 stars, it's a notable title among other Monographs (Individual Artists, Arts Collections, Criticism, Arts History & Criticism, History) books. You can easily purchase or rent Tarsila do Amaral: Inventing Modern Art in Brazil (Hardcover) from BooksRun, along with many other new and used Monographs books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $4.39.

Description

An exploration of the innovative, quintessentially Brazilian painter who merged modernism with the brilliant energy and culture of her homeland

Tarsila do Amaral (1886–1973) was a central figure at the genesis of modern art in her native Brazil, and her influence reverberates throughout 20th- and 21st-century art. Although relatively little-known outside Latin America, her work deserves to be understood and admired by a wide contemporary audience. This publication establishes her rich background in European modernism, which included associations in Paris with artists Fernand Léger and Constantin Brancusi, dealer Ambroise Vollard, and poet Blaise Cendrars. Tarsila (as she is known affectionately in Brazil) synthesized avant-garde aesthetics with Brazilian subjects, creating stylized, exaggerated figures and landscapes inspired by her native country that were powerful emblems of the Brazilian modernist project known as Antropofagía.

Featuring a selection of Tarsila’s major paintings, this important volume conveys her vital role in the emerging modern-art scene of Brazil, the community of artists and writers (including poets Oswald de Andrade and Mário de Andrade) with whom she explored and developed a Brazilian modernism, and how she was subsequently embraced as a national cultural icon. At the same time, an analysis of Tarsila’s legacy questions traditional perceptions of the 20th-century art world and asserts the significant role that Tarsila and others in Latin America had in shaping the global trajectory of modernism.
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