Robert Ryman
ISBN-13:
9780300226713
ISBN-10:
0300226713
Edition:
Illustrated
Author:
Courtney J. Martin, Stephen Hoban
Publication date:
2017
Publisher:
Yale University Press
Format:
Hardcover
336 pages
Category:
Individual Artists
,
History
,
Arts History & Criticism
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Book details
ISBN-13:
9780300226713
ISBN-10:
0300226713
Edition:
Illustrated
Author:
Courtney J. Martin, Stephen Hoban
Publication date:
2017
Publisher:
Yale University Press
Format:
Hardcover
336 pages
Category:
Individual Artists
,
History
,
Arts History & Criticism
Summary
Robert Ryman (ISBN-13: 9780300226713 and ISBN-10: 0300226713), written by authors
Courtney J. Martin, Stephen Hoban, was published by Yale University Press in 2017.
With an overall rating of 3.9 stars, it's a notable title among other
Individual Artists
(History, Arts History & Criticism) books. You can easily purchase or rent Robert Ryman (Hardcover) from BooksRun,
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Description
A comprehensive study highlighting the interplay of context and meaning in Robert Ryman’s work
This remarkable volume, featuring new photography and original essays by a formidable array of scholars and curators, is the most expansive and thorough investigation of the work of American painter Robert Ryman in over two decades. Arguing that the relationships between his paintings are key to understanding his diverse output, the book offers more faithful reproductions and subtler details of the paintings than have previously been available, and attends closely to the artist’s own strategies of display.
Ryman’s paintings are readily identified by their predominantly achromatic surfaces, but his exploration of the values and effects of white was never limited to paint. His experimentations with canvas, board, paper, aluminum, fiberglass, and Plexiglas have evolved into a material vocabulary as revolutionary as his use of white. The texts featured here reflect on the importance of Ryman’s practice to contemporary art: Robert Storr, curator of Ryman’s 1993 retrospective, places the painter in historical context while Courtney J. Martin, curator of his 2015–16 exhibition at Dia Chelsea, looks at Ryman’s three-dimensional works. Drawings scholar Allegra Pesenti investigates his drawing practice; music historian John Szwed traces the influence of jazz in Ryman’s early works; and artist Charles Gaines asks what, in a Ryman, is real.
This remarkable volume, featuring new photography and original essays by a formidable array of scholars and curators, is the most expansive and thorough investigation of the work of American painter Robert Ryman in over two decades. Arguing that the relationships between his paintings are key to understanding his diverse output, the book offers more faithful reproductions and subtler details of the paintings than have previously been available, and attends closely to the artist’s own strategies of display.
Ryman’s paintings are readily identified by their predominantly achromatic surfaces, but his exploration of the values and effects of white was never limited to paint. His experimentations with canvas, board, paper, aluminum, fiberglass, and Plexiglas have evolved into a material vocabulary as revolutionary as his use of white. The texts featured here reflect on the importance of Ryman’s practice to contemporary art: Robert Storr, curator of Ryman’s 1993 retrospective, places the painter in historical context while Courtney J. Martin, curator of his 2015–16 exhibition at Dia Chelsea, looks at Ryman’s three-dimensional works. Drawings scholar Allegra Pesenti investigates his drawing practice; music historian John Szwed traces the influence of jazz in Ryman’s early works; and artist Charles Gaines asks what, in a Ryman, is real.
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