9780300205718-0300205716-What Art Is

What Art Is

ISBN-13: 9780300205718
ISBN-10: 0300205716
Edition: First Edition
Author: Arthur C. Danto
Publication date: 2014
Publisher: Yale University Press
Format: Paperback 192 pages
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Book details

ISBN-13: 9780300205718
ISBN-10: 0300205716
Edition: First Edition
Author: Arthur C. Danto
Publication date: 2014
Publisher: Yale University Press
Format: Paperback 192 pages

Summary

What Art Is (ISBN-13: 9780300205718 and ISBN-10: 0300205716), written by authors Arthur C. Danto, was published by Yale University Press in 2014. With an overall rating of 3.9 stars, it's a notable title among other Criticism (Arts History & Criticism, History, Aesthetics, Philosophy) books. You can easily purchase or rent What Art Is (Paperback) from BooksRun, along with many other new and used Criticism books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.62.

Description

A lively meditation on the nature of art by one of America's most celebrated art critics

What is it to be a work of art? Renowned author and critic Arthur C. Danto addresses this fundamental, complex question. Part philosophical monograph and part memoiristic meditation, What Art Is challenges the popular interpretation that art is an indefinable concept, instead bringing to light the properties that constitute universal meaning. Danto argues that despite varied approaches, a work of art is always defined by two essential criteria: meaning and embodiment, as well as one additional criterion contributed by the viewer: interpretation. Danto crafts his argument in an accessible manner that engages with both philosophy and art across genres and eras, beginning with Plato’s definition of art in The Republic, and continuing through the progress of art as a series of discoveries, including such innovations as perspective, chiaroscuro, and physiognomy. Danto concludes with a fascinating discussion of Andy Warhol’s famous shipping cartons, which are visually indistinguishable from the everyday objects they represent.

Throughout, Danto considers the contributions of philosophers including Descartes, Kant, and Hegel, and artists from Michelangelo and Poussin to Duchamp and Warhol, in this far-reaching examination of the interconnectivity and universality of aesthetic production.

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