9780300192247-030019224X-Robert Dudley, Earl of Leicester, and the World of Elizabethan Art: Painting and Patronage at the Court of Elizabeth I

Robert Dudley, Earl of Leicester, and the World of Elizabethan Art: Painting and Patronage at the Court of Elizabeth I

ISBN-13: 9780300192247
ISBN-10: 030019224X
Edition: First Edition
Author: Elizabeth Goldring
Publication date: 2014
Publisher: Paul Mellon Centre
Format: Hardcover 380 pages
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Book details

ISBN-13: 9780300192247
ISBN-10: 030019224X
Edition: First Edition
Author: Elizabeth Goldring
Publication date: 2014
Publisher: Paul Mellon Centre
Format: Hardcover 380 pages

Summary

Robert Dudley, Earl of Leicester, and the World of Elizabethan Art: Painting and Patronage at the Court of Elizabeth I (ISBN-13: 9780300192247 and ISBN-10: 030019224X), written by authors Elizabeth Goldring, was published by Paul Mellon Centre in 2014. With an overall rating of 4.5 stars, it's a notable title among other History (Arts History & Criticism) books. You can easily purchase or rent Robert Dudley, Earl of Leicester, and the World of Elizabethan Art: Painting and Patronage at the Court of Elizabeth I (Hardcover) from BooksRun, along with many other new and used History books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $2.32.

Description

This book is the first comprehensive survey of aristocratic art collecting and patronage in Elizabethan England, as seen through the activities of Robert Dudley, Earl of Leicester (ca. 1532–1588). One of the most fascinating and controversial people of his day, Leicester was also the most important patron of painters at the Elizabethan court. He amassed a substantial art collection, including commissioned works by Nicholas Hilliard, Paolo Veronese, and Federico Zuccaro; helped foster the birth of an English vernacular discourse on the visual arts; and was an early exponent, in England, of the Italian Renaissance view of the painter as the practitioner of a liberal art and, thus, fit company for the educated and well-born. Although Leicester’s picture collection and personal papers were widely dispersed after his death, this volume’s pioneering research reconstructs his lost world and, with it, a turning point in the history of British art. Some of the paintings featured here are little-known images from private collections, never before reproduced in color.

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