9780300160246-0300160240-The Art of Natural History: Illustrated Treatises and Botanical Paintings, 1400-1850 (Studies in the History of Art Series)

The Art of Natural History: Illustrated Treatises and Botanical Paintings, 1400-1850 (Studies in the History of Art Series)

ISBN-13: 9780300160246
ISBN-10: 0300160240
Edition: Illustrated
Author: Amy R.W. Meyers, Therese OMalley
Publication date: 2010
Publisher: NGW-Stud Hist Art
Format: Paperback 280 pages
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Book details

ISBN-13: 9780300160246
ISBN-10: 0300160240
Edition: Illustrated
Author: Amy R.W. Meyers, Therese OMalley
Publication date: 2010
Publisher: NGW-Stud Hist Art
Format: Paperback 280 pages

Summary

The Art of Natural History: Illustrated Treatises and Botanical Paintings, 1400-1850 (Studies in the History of Art Series) (ISBN-13: 9780300160246 and ISBN-10: 0300160240), written by authors Amy R.W. Meyers, Therese OMalley, was published by NGW-Stud Hist Art in 2010. With an overall rating of 4.5 stars, it's a notable title among other Criticism (Arts History & Criticism, History, History & Philosophy, Natural History, Nature & Ecology) books. You can easily purchase or rent The Art of Natural History: Illustrated Treatises and Botanical Paintings, 1400-1850 (Studies in the History of Art Series) (Paperback) from BooksRun, along with many other new and used Criticism books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.45.

Description

Now available in paperback

“Making knowledge visible” is how one 16th-century naturalist described the work of the illustrator of botanical treatises. His words reflected the growing role played by illustrators at a time when the study of nature had been assuming new authority in the world of learning. An absorbing exploration of the relationship between image and text, this collection considers how both aided the development and transmission of scientific knowledge.

Presenting images found throughout Europe in works on natural history, medicine, botany, horticulture, and garden design, and studies of insects, birds, and animals, the contributors emphasize their artistic as well as scientific values. Illustrators are shown to have been both artists and either naturalists or gardeners, bringing to their work aesthetic judgment and empirical observation. Their fascinating images receive a fresh, wide-ranging analysis that covers such topics as innovation, patronage, readership, reception, technologies of production, and the relationship between the fine arts and scientific depictions of nature.

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