9780300141870-0300141874-How to Read Chinese Paintings (The Metropolitan Museum of Art - How to Read)

How to Read Chinese Paintings (The Metropolitan Museum of Art - How to Read)

ISBN-13: 9780300141870
ISBN-10: 0300141874
Edition: Illustrated
Author: Maxwell K. Hearn
Publication date: 2008
Publisher: Metropolitan Museum of Art
Format: Paperback 184 pages
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ISBN-13: 9780300141870
ISBN-10: 0300141874
Edition: Illustrated
Author: Maxwell K. Hearn
Publication date: 2008
Publisher: Metropolitan Museum of Art
Format: Paperback 184 pages

Summary

How to Read Chinese Paintings (The Metropolitan Museum of Art - How to Read) (ISBN-13: 9780300141870 and ISBN-10: 0300141874), written by authors Maxwell K. Hearn, was published by Metropolitan Museum of Art in 2008. With an overall rating of 3.9 stars, it's a notable title among other Arts Collections (Criticism, Arts History & Criticism, History, Painting) books. You can easily purchase or rent How to Read Chinese Paintings (The Metropolitan Museum of Art - How to Read) (Paperback) from BooksRun, along with many other new and used Arts Collections books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.62.

Description

The Chinese often use the expression du hua, “to read a painting,” in connection with their study and appreciation of such works. This volume closely “reads” thirty-six masterpieces of Chinese painting from the encyclopedic collection of The Metropolitan Museum of Art in order to reveal the major characteristics and themes of this rich pictorial tradition. The book examines multiple layers of meaning―style, technique, symbolism, past traditions, and the artist’s personal circumstances―through accessible texts and numerous large color details. A dynastic chronology, map, and list of further readings supplement the text.

Spanning a thousand years of Chinese art, these landscapes, flowers, birds, figures, religious subjects, and calligraphies illuminate the main goal of every Chinese artist: to capture not only the outer appearance of a subject but also its inner essence.

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