9780300123951-0300123957-Gordon Matta-Clark: "You Are the Measure"

Gordon Matta-Clark: "You Are the Measure"

ISBN-13: 9780300123951
ISBN-10: 0300123957
Edition: First Edition
Author: Elisabeth Sussman
Publication date: 2007
Publisher: The Whitney Museum of American Art
Format: Paperback 240 pages
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Book details

ISBN-13: 9780300123951
ISBN-10: 0300123957
Edition: First Edition
Author: Elisabeth Sussman
Publication date: 2007
Publisher: The Whitney Museum of American Art
Format: Paperback 240 pages

Summary

Gordon Matta-Clark: "You Are the Measure" (ISBN-13: 9780300123951 and ISBN-10: 0300123957), written by authors Elisabeth Sussman, was published by The Whitney Museum of American Art in 2007. With an overall rating of 4.5 stars, it's a notable title among other Individual Artists books. You can easily purchase or rent Gordon Matta-Clark: "You Are the Measure" (Paperback) from BooksRun, along with many other new and used Individual Artists books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $1.91.

Description

Qualifying the ancient Greek saying Man is the measure,” Gordon Matta-Clark (19431978) asserted instead You are the measure,” conveying the defining theme in an oeuvre that would exert a powerful influence on fellow artists and architects. In artworks that combined minimalist, conceptual, and performative practices, Matta-Clark gave primary importance to the individual and considerations of everyday life. This comprehensive book incorporates important new information from the Matta-Clark archive, presenting a compelling reappraisal of the unique beauty and radical nature of Matta-Clark’s punnings, plans, performances, and interventions evident in the many media in which he worked: sculptural objects (most notably from building cuts), drawings, films, photographs, and documentary material.
The son of Chilean Surrealist painter Roberto Matta and godson of Marcel Duchamp, Matta-Clark trained as an architect. He is renowned for his poignant use of urban landscapes, creating many site-specific works (often outside of a museum or gallery context) in New York and abroad. In this handsome book, distinguished scholars of contemporary art provide new insights into Matta-Clark’s work: the reception of his art during his lifetime; the impact of his socially engaged lifestyle; the production of his films; his photography, in particular his collages that have not been thoroughly explored; the creation and conservation of his building cut Splitting; and much more.

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