9780300122084-030012208X-Outside In: Chinese x American x Contemporary Art (Publications of the Tang Center for East Asian Art, Princeton University, 4)

Outside In: Chinese x American x Contemporary Art (Publications of the Tang Center for East Asian Art, Princeton University, 4)

ISBN-13: 9780300122084
ISBN-10: 030012208X
Edition: Illustrated
Author: Jerome Silbergeld
Publication date: 2009
Publisher: Princeton University Art Museum
Format: Hardcover 304 pages
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Book details

ISBN-13: 9780300122084
ISBN-10: 030012208X
Edition: Illustrated
Author: Jerome Silbergeld
Publication date: 2009
Publisher: Princeton University Art Museum
Format: Hardcover 304 pages

Summary

Outside In: Chinese x American x Contemporary Art (Publications of the Tang Center for East Asian Art, Princeton University, 4) (ISBN-13: 9780300122084 and ISBN-10: 030012208X), written by authors Jerome Silbergeld, was published by Princeton University Art Museum in 2009. With an overall rating of 4.0 stars, it's a notable title among other Arts Collections (Criticism, Arts History & Criticism, History, Conceptual, Arts Other) books. You can easily purchase or rent Outside In: Chinese x American x Contemporary Art (Publications of the Tang Center for East Asian Art, Princeton University, 4) (Hardcover) from BooksRun, along with many other new and used Arts Collections books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

The art world is currently enthralled with contemporary Chinese art. This thoughtful book argues, however, that American audiences have been exposed only to a narrow range of what is available―with the majority of attention having been given to “avant-garde,” “experimental,” or politically charged art. Outside In discusses contemporary Chinese art in a far wider range of styles and subject matter and substantially expands on our understanding of this work.

The book features six artists―Arnold Chang, Michael Cherney, Zhi Lin, Liu Dan, Vannessa Tran, and Zhang Hongtu―all of whom are American citizens yet are widely diverse in age and experience as well as geographical and ethnic origins. In addition to extensive personal interviews and artists’ statements, there are essays that challenge the categorization of art into such focused genres as “Chinese,” “contemporary,” and “American,” and reexamine the factors that shape the development of “Chinese art” in America.

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