9780300122060-0300122063-Gifts from the Ancestors: Ancient Ivories of Bering Strait

Gifts from the Ancestors: Ancient Ivories of Bering Strait

ISBN-13: 9780300122060
ISBN-10: 0300122063
Edition: Illustrated
Author: Julie Hollowell, William W. Fitzhugh, Aron L. Crowell
Publication date: 2009
Publisher: Princeton University Art Museum
Format: Paperback 328 pages
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Book details

ISBN-13: 9780300122060
ISBN-10: 0300122063
Edition: Illustrated
Author: Julie Hollowell, William W. Fitzhugh, Aron L. Crowell
Publication date: 2009
Publisher: Princeton University Art Museum
Format: Paperback 328 pages

Summary

Gifts from the Ancestors: Ancient Ivories of Bering Strait (ISBN-13: 9780300122060 and ISBN-10: 0300122063), written by authors Julie Hollowell, William W. Fitzhugh, Aron L. Crowell, was published by Princeton University Art Museum in 2009. With an overall rating of 3.6 stars, it's a notable title among other Arts Collections (Criticism, Arts History & Criticism, History, Native American, Americas History) books. You can easily purchase or rent Gifts from the Ancestors: Ancient Ivories of Bering Strait (Paperback) from BooksRun, along with many other new and used Arts Collections books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.83.

Description

The appearance during the first millennium A.D. of small, exquisitely carved artifacts of walrus ivory in the Bering Strait region marks the beginning of an extraordinary florescence in the art and culture of North America. The discovery in the 1930s and 1940s of world-class carvings of animals, mythical beasts, shape-shifting creatures, masks, and human figurines astounded scholars and excited collectors. Nevertheless, the extraordinary objects that belong to this fascinating, sometimes frightening, world of hunting-related art remain largely unknown.

Gifts from the Ancestors examines ancient ivories from the coast of Bering Strait, western Alaska, and the islands in between―illuminating their sophisticated formal aesthetic, cultural complexity, and individual histories. Many of the pieces discussed are from recent Russian excavations and are presented here for the first time in English; others are from private collections not usually open to the public. The essays, written by an international group of scholars, adopt a refreshing interdisciplinary approach that gives voice to the various competing, and now sometimes cooperating, stakeholders, including Native groups, museums, archaeologists, art historians, art dealers, and private collectors.

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