9780300121247-0300121245-Isabella and Leonardo: The Artistic Relationship between Isabella d’Este and Leonardo da Vinci, 1500-1506

Isabella and Leonardo: The Artistic Relationship between Isabella d’Este and Leonardo da Vinci, 1500-1506

ISBN-13: 9780300121247
ISBN-10: 0300121245
Edition: 1st ed
Author: Francis Ames-Lewis
Publication date: 2012
Publisher: Yale University Press
Format: Hardcover 300 pages
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Book details

ISBN-13: 9780300121247
ISBN-10: 0300121245
Edition: 1st ed
Author: Francis Ames-Lewis
Publication date: 2012
Publisher: Yale University Press
Format: Hardcover 300 pages

Summary

Isabella and Leonardo: The Artistic Relationship between Isabella d’Este and Leonardo da Vinci, 1500-1506 (ISBN-13: 9780300121247 and ISBN-10: 0300121245), written by authors Francis Ames-Lewis, was published by Yale University Press in 2012. With an overall rating of 3.7 stars, it's a notable title among other Individual Artists (History, Arts History & Criticism, Artists, Architects & Photographers, Arts & Literature, Europe, Historical, Italy, European History) books. You can easily purchase or rent Isabella and Leonardo: The Artistic Relationship between Isabella d’Este and Leonardo da Vinci, 1500-1506 (Hardcover) from BooksRun, along with many other new and used Individual Artists books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $1.17.

Description

Isabella d'Este, the marchioness of Mantua, was a collector of antiquities, a patron of art, and one of the most vivid personalities of the Italian Renaissance. Her artistic relationship with Leonardo da Vinci (1452-1519) is charted through the letters that they exchanged over the course of about six years. Beginning in late 1499, Leonardo spent several months in Mantua, where he met Isabella and produced a finished portrait drawing of her. In the years that followed, the marchioness wrote to the artist to ask him to undertake other paintings and projects. Though little came of these requests, da Vinci did produce a drawing of some classical hard-stone vases to assist her search for collectible antiques and also started work on a painting of Christ as a twelve-year-old boy at her request.

The story of their relationship is explored in depth for the first time in Isabella and Leonardo. This illuminating story raises interesting and important questions about relationships between artists and patrons, and about women as art patrons at the beginning of the 16th century.

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