9780300103120-0300103123-Extreme Beauty: The Body Transformed (Metropolitan Museum of Art Series)

Extreme Beauty: The Body Transformed (Metropolitan Museum of Art Series)

ISBN-13: 9780300103120
ISBN-10: 0300103123
Edition: Metropolitan Museum of Art Series
Author: Harold Koda
Publication date: 2004
Publisher: Metropolitan Museum of Art
Format: Paperback 192 pages
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Book details

ISBN-13: 9780300103120
ISBN-10: 0300103123
Edition: Metropolitan Museum of Art Series
Author: Harold Koda
Publication date: 2004
Publisher: Metropolitan Museum of Art
Format: Paperback 192 pages

Summary

Extreme Beauty: The Body Transformed (Metropolitan Museum of Art Series) (ISBN-13: 9780300103120 and ISBN-10: 0300103123), written by authors Harold Koda, was published by Metropolitan Museum of Art in 2004. With an overall rating of 4.4 stars, it's a notable title among other books. You can easily purchase or rent Extreme Beauty: The Body Transformed (Metropolitan Museum of Art Series) (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.57.

Description

Over time and across cultures, extraordinary manipulations of the body have occurred in a continuing evolution of the concept of beauty. Fashion can be seen as the practice of some of the most extreme strategies to conform to shifting concepts of the physical ideal. Various zones of the body―the neck, the shoulders, the bust, the waist, the hips, and the feet―have been constricted, padded, truncated, or extended through subtle visual adjustments of proportion, less subtle prosthesis, and, often, deliberate physical deformation.

This stunning book shows that an undeniable if uncanny beauty abides in the bundled cylindricality of a geisha tottering on raised geta or clogs; the tea-tray supporting bustle of an 1880s French visiting dress; the double-door expanse of eighteenth-century panniered court gowns; the bound feet and caged nails of aristocratic Manchu women; the neck-extending chokers of the Masai, of Edwardian beauties, and of John Galliano’s designs for Dior; or the waist suppression of the sixteenth-century iron corsets and the cinches of early-nineteenth-century dandies. The photographs of fashion are augmented by paintings, prints, and drawings, including caricatures by Gilray, Cruikshank, Daumier, and Vernet.

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