9780299302849-0299302849-Protest on the Page: Essays on Print and the Culture of Dissent since 1865 (The History of Print and Digital Culture)

Protest on the Page: Essays on Print and the Culture of Dissent since 1865 (The History of Print and Digital Culture)

ISBN-13: 9780299302849
ISBN-10: 0299302849
Edition: 1
Author: James L. Baughman, Jennifer Ratner-Rosenhagen, James Danky, James Baughman, James P Danky
Publication date: 2015
Publisher: University of Wisconsin Press
Format: Paperback 278 pages
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Book details

ISBN-13: 9780299302849
ISBN-10: 0299302849
Edition: 1
Author: James L. Baughman, Jennifer Ratner-Rosenhagen, James Danky, James Baughman, James P Danky
Publication date: 2015
Publisher: University of Wisconsin Press
Format: Paperback 278 pages

Summary

Protest on the Page: Essays on Print and the Culture of Dissent since 1865 (The History of Print and Digital Culture) (ISBN-13: 9780299302849 and ISBN-10: 0299302849), written by authors James L. Baughman, Jennifer Ratner-Rosenhagen, James Danky, James Baughman, James P Danky, was published by University of Wisconsin Press in 2015. With an overall rating of 4.5 stars, it's a notable title among other books. You can easily purchase or rent Protest on the Page: Essays on Print and the Culture of Dissent since 1865 (The History of Print and Digital Culture) (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

The use of print to challenge prevailing ideas and conventions has a long history in American public life. As dissenters in America sought social change, they used print to document, articulate, and disseminate their ideas to others. Protest always begins on the margins, but print is the medium that allows it to reach a larger audience. In Protest on the Page, scholars in multiple disciplines offer ten original essays that examine protest print culture in America since 1865. They explore the surprising range of dissidents who enlisted print in their causes―from vegetarians and anarchists at the advent of the twentieth century, to midcentury evangelicals and tween comic book readers, to GIs and feminists in the 1970s–80s. Together they demonstrate that print has never been a neutral medium, but rather has been instrumental in shaping the substance of protest and its audiences.
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