9780295977751-0295977752-Reservation X

Reservation X

ISBN-13: 9780295977751
ISBN-10: 0295977752
Edition: First Edition
Author: Canadian Museum of Civilization, Gerald McMaster
Publication date: 1999
Publisher: Univ of Washington Pr
Format: Paperback 164 pages
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Book details

ISBN-13: 9780295977751
ISBN-10: 0295977752
Edition: First Edition
Author: Canadian Museum of Civilization, Gerald McMaster
Publication date: 1999
Publisher: Univ of Washington Pr
Format: Paperback 164 pages

Summary

Reservation X (ISBN-13: 9780295977751 and ISBN-10: 0295977752), written by authors Canadian Museum of Civilization, Gerald McMaster, was published by Univ of Washington Pr in 1999. With an overall rating of 4.5 stars, it's a notable title among other books. You can easily purchase or rent Reservation X (Paperback, Used) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.56.

Description

What is this place that Americans call the reservation, Canadians call the reserve, and many call "the rez"? For most contemporary Native people, this negotiated space is, was, or will be home.

Reservation X showcases installations created by seven of North America's foremost Native artists--Mary Longman, of Gordon Indian Reserve, Saskatchewan; Nora Naranjo-Morse, of Santa Clara Pueblo, New Mexico; Marianne Nicolson, of Kingcome Inlet, British Columbia; Shelley Niro, of Six Nations Reserve, Ontario; Jolene Rickard, of the Tuscarora Nation, New York; Mateo Romero, of Cochitl Pueblo, New Mexico; and C. Maxx Stevens, of the Seminole Nations, Oklahoma. Essays and modern and archival photographs set the installations into a rich variety of personal and political contexts.

Gerald McMaster, Nancy Marie Mithlo, Paul Chaat Smith, and Charlotte Townsend-Gault contribute essays on community and identity that range from art theory to pop culture, from historical analysis to anecdote; they also contribute profiles of the artists. Harry Foster provides photographs of the artists' installations, and the artists themselves comment on their lives, their art, and their communities.

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