9780292752474-0292752474-Making Faces, Playing God: Identity and the Art of Transformational Makeup

Making Faces, Playing God: Identity and the Art of Transformational Makeup

ISBN-13: 9780292752474
ISBN-10: 0292752474
Edition: First Thus
Author: Thomas Morawetz
Publication date: 2001
Publisher: University of Texas Press
Format: Paperback 246 pages
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Book details

ISBN-13: 9780292752474
ISBN-10: 0292752474
Edition: First Thus
Author: Thomas Morawetz
Publication date: 2001
Publisher: University of Texas Press
Format: Paperback 246 pages

Summary

Making Faces, Playing God: Identity and the Art of Transformational Makeup (ISBN-13: 9780292752474 and ISBN-10: 0292752474), written by authors Thomas Morawetz, was published by University of Texas Press in 2001. With an overall rating of 3.9 stars, it's a notable title among other Communication & Media Studies (Social Sciences) books. You can easily purchase or rent Making Faces, Playing God: Identity and the Art of Transformational Makeup (Paperback) from BooksRun, along with many other new and used Communication & Media Studies books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.41.

Description

Wearing a mask—putting on another face—embodies a fundamental human fantasy of inhabiting other bodies and experiencing other lives. In this extensively illustrated book, Thomas Morawetz explores how the creation of transformational makeup for theatre, movies, and television fulfills this fantasy of self-transformation and satisfies the human desire to become "the other."

Morawetz begins by discussing the cultural role of fantasies of transformation and what these fantasies reveal about questions of personal identity. He next turns to professional makeup artists and describes their background, training, careers, and especially the techniques they use to create their art. Then, with numerous before-during-and-after photos of transformational makeups from popular and little-known shows and movies, ads, and artist's demos and portfolios, he reveals the art and imagination that go into six kinds of mask-making—representing demons, depicting aliens, inventing disguises, transforming actors into different (older, heavier, disfigured) versions of themselves, and creating historical or mythological characters.

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