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The Coral Mind: Adrian Stokes's Engagement with Art History, Criticism, Architecture, and Psychoanalysis
ISBN-13:
9780271029702
ISBN-10:
0271029706
Edition:
1
Author:
Stephen Bann
Publication date:
2007
Publisher:
Penn State University Press
Format:
Paperback
240 pages
FREE US shipping
Book details
ISBN-13:
9780271029702
ISBN-10:
0271029706
Edition:
1
Author:
Stephen Bann
Publication date:
2007
Publisher:
Penn State University Press
Format:
Paperback
240 pages
Summary
The Coral Mind: Adrian Stokes's Engagement with Art History, Criticism, Architecture, and Psychoanalysis (ISBN-13: 9780271029702 and ISBN-10: 0271029706), written by authors
Stephen Bann, was published by Penn State University Press in 2007.
With an overall rating of 4.4 stars, it's a notable title among other
History
(Architecture, Criticism, Arts History & Criticism, History, Artists, Architects & Photographers, Arts & Literature, Psychoanalysis, Psychology & Counseling, Psychoanalysis, Psychology) books. You can easily purchase or rent The Coral Mind: Adrian Stokes's Engagement with Art History, Criticism, Architecture, and Psychoanalysis (Paperback) from BooksRun,
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Description
Our view of modernism in the arts has been largely shaped by the prominence of painting and, in particular, by a succession of major painters working in Paris—from Courbet and Manet to the Cubists. Moreover, modernist aesthetics has come to be equated with the concept of formalism, which has been both advocated and attacked in the critical roster of the twentieth century. Adrian Stokes offered a singular critical voice challenging us to think differently about modernism. Guided by his personal interpretation of the early Renaissance and by insights derived from psychoanalytic theory, Stokes developed his own style of communicating the truths of aesthetic experience.The essays in The Coral Mind make Stokes required reading for anyone with a serious interest in British modernism; psychoanalysis and art; alternatives to Clement Greenberg’s account of modernism; the relevance of architecture, sculpture, and ballet to our understanding of twentieth-century art; “writerly” art criticism; and the concept of “research” in art history.Contributors include David Carrier, Martin Golding, Michael Ann Holly, David Hulks, Étienne Jollet, Stephen Kite, Peter Leech, Alex Potts, Richard Read, Janet Sayers, Lyndsey Stonebridge, and Paul Tucker.
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