9780271004310-0271004312-What Stories Are: Narrative Theory and Interpretation

What Stories Are: Narrative Theory and Interpretation

ISBN-13: 9780271004310
ISBN-10: 0271004312
Edition: n
Author: Thomas Leitch
Publication date: 1990
Publisher: Penn State University Press
Format: Hardcover 232 pages
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Book details

ISBN-13: 9780271004310
ISBN-10: 0271004312
Edition: n
Author: Thomas Leitch
Publication date: 1990
Publisher: Penn State University Press
Format: Hardcover 232 pages

Summary

What Stories Are: Narrative Theory and Interpretation (ISBN-13: 9780271004310 and ISBN-10: 0271004312), written by authors Thomas Leitch, was published by Penn State University Press in 1990. With an overall rating of 3.6 stars, it's a notable title among other books. You can easily purchase or rent What Stories Are: Narrative Theory and Interpretation (Hardcover) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

A sophisticated and closely reasoned essay on narrative theory which begins by attacking the customary distinction between "story" (narrated events) and "discourse" (narrating medium), What Stories Are suggests an alternative definition of narrative based on its discursive properties, and explores the implications of that definition for the traditional categories of narrative theory (plot, character, and so on). This book combines two main tendencies in the study of narrative over the last twenty years, one toward the building of bigger and better structural systems, the other toward the production of ever finer and more intricate interpretations of particular texts. In accurately and fairmindedly presenting previous and alternative theories of narrative, the author attains a striking degree of originality, redefining the subject in new and significant ways.

What Stories Are is outstanding for the logic and integrity of its intellectual design and for the catholicity of its interests and tastes. Leitch is impressively at home in the literature he treats, and his formulation of the constitutive tension in narrative between teleological and discursive imperatives freshly articulates it and gives it a welcome and unwonted centrality.

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