9780262544528-0262544520-Feminist Worldmaking and the Moving Image

Feminist Worldmaking and the Moving Image

ISBN-13: 9780262544528
ISBN-10: 0262544520
Author: Erika Balsom, Hila Peleg
Publication date: 2022
Publisher: The MIT Press
Format: Paperback 512 pages
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Book details

ISBN-13: 9780262544528
ISBN-10: 0262544520
Author: Erika Balsom, Hila Peleg
Publication date: 2022
Publisher: The MIT Press
Format: Paperback 512 pages

Summary

Feminist Worldmaking and the Moving Image (ISBN-13: 9780262544528 and ISBN-10: 0262544520), written by authors Erika Balsom, Hila Peleg, was published by The MIT Press in 2022. With an overall rating of 3.5 stars, it's a notable title among other Film & Video Art (Photography & Video, Feminist Theory, Women's Studies) books. You can easily purchase or rent Feminist Worldmaking and the Moving Image (Paperback) from BooksRun, along with many other new and used Film & Video Art books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $3.02.

Description

Intersectional, intergenerational, and international perspectives on nonfiction filmmaking by women, generously illustrated, with film stills and other images.

This book offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle-a way of not only picturing the world but remaking it.

The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term "feminism"; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like.

The book, generously illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays.

Contributors
Helena Amiradzibi, Madeleine Bernstorff, Teresa Castro, Counter Encounters (Laura Huertas Millan, Onyeka Igwe, Rachael Rakes), Ayanna Dozier, Forough Farrokhzad, Safi Faye, Devika Girish, Elena Gorfinkel, Haneda Sumiko, Shai Heredia, Juliet Jacques, Sarah Keller, Nzingha Kendall, Julia Lesage, Beatrice Loayza, Janaina Oliveira, Lakshmi Padmanabhan, Yasmina Price, Elizabeth Ramirez-Soto, Pooja Rangan, Lis Rhodes, Sara Saljoughi, Rasha Salti, Isabel Segui, Chick Strand, Monika Talarczyk, Trinh T. Minh-ha, Fran oise Verg s, Claudia von Alemann, Mitsuyo Wada-Marciano, Shilyh Warren, Giovanna Zapperi

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