9780262524599-0262524597-The AIDS Crisis Is Ridiculous and Other Writings, 1986-2003 (Writing Art)

The AIDS Crisis Is Ridiculous and Other Writings, 1986-2003 (Writing Art)

ISBN-13: 9780262524599
ISBN-10: 0262524597
Author: James Meyer, Gregg Bordowitz
Publication date: 2006
Publisher: MIT Press
Format: Paperback 339 pages
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Book details

ISBN-13: 9780262524599
ISBN-10: 0262524597
Author: James Meyer, Gregg Bordowitz
Publication date: 2006
Publisher: MIT Press
Format: Paperback 339 pages

Summary

The AIDS Crisis Is Ridiculous and Other Writings, 1986-2003 (Writing Art) (ISBN-13: 9780262524599 and ISBN-10: 0262524597), written by authors James Meyer, Gregg Bordowitz, was published by MIT Press in 2006. With an overall rating of 4.2 stars, it's a notable title among other Individual Artists (Health Care Delivery, Administration & Medicine Economics) books. You can easily purchase or rent The AIDS Crisis Is Ridiculous and Other Writings, 1986-2003 (Writing Art) (Paperback) from BooksRun, along with many other new and used Individual Artists books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.84.

Description

The first collection of writings by a noted artist and activist whose work has focused on the AIDS epidemic.The HIV epidemic animates this collection of essays by a noted artist, writer, and activist. "So total was the burden of illness―mine and others'―that the only viable response, other than to cease making art entirely, was to adjust to the gravity of the predicament by using the crisis as a lens," writes Gregg Bordowitz, a film- and video-maker whose best-known works, Fast Trip Long Drop (1993) and Habit (2001), address AIDS globally and personally. In The AIDS Crisis Is Ridiculous―the title essay is inspired by Charles Ludlam, founder of the Ridiculous Theater Company―Bordowitz follows in the tradition of artist-writers Robert Smithson and Yvonne Rainer by making writing an integral part of an artistic practice.Bordowitz has left his earliest writings for the most part unchanged―to preserve, he says, "both the youthful exuberance and the palpable sense of fear" created by the early days of the AIDS crisis. After these early essays, the writing becomes more experimental, sometimes mixing fiction and fact; included here is a selection of Bordowitz's columns from the journal Documents, "New York Was Yesterday." Finally, in his newest essays he reformulates early themes, and, in "My Postmodernism" (written for Artforum's fortieth anniversary issue) and "More Operative Assumptions" (written especially for this book), he reexamines the underlying ideas of his practice and sums up his theoretical concerns.In his mature work, Bordowitz seeks to join the subjective―the experience of having a disease―and the objective―the fact of the disease as a global problem. He believes that this conjunction is necessary for understanding and fighting the crisis. "If it can be written," he says, "then it can be realized."
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