9780262511179-0262511177-Conceptual Art: A Critical Anthology

Conceptual Art: A Critical Anthology

ISBN-13: 9780262511179
ISBN-10: 0262511177
Author: Alexander Alberro, Blake Stimson
Publication date: 2000
Publisher: The MIT Press
Format: Paperback 624 pages
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Book details

ISBN-13: 9780262511179
ISBN-10: 0262511177
Author: Alexander Alberro, Blake Stimson
Publication date: 2000
Publisher: The MIT Press
Format: Paperback 624 pages

Summary

Conceptual Art: A Critical Anthology (ISBN-13: 9780262511179 and ISBN-10: 0262511177), written by authors Alexander Alberro, Blake Stimson, was published by The MIT Press in 2000. With an overall rating of 3.7 stars, it's a notable title among other Decorative Arts & Design books. You can easily purchase or rent Conceptual Art: A Critical Anthology (Paperback) from BooksRun, along with many other new and used Decorative Arts & Design books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $1.03.

Description

This landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the conceptual art movement.

Compared to other avant-garde movements that emerged in the 1960s, conceptual art has received relatively little serious attention by art historians and critics of the past twenty-five years―in part because of the difficult, intellectual nature of the art. This lack of attention is particularly striking given the tremendous influence of conceptual art on the art of the last fifteen years, on critical discussion surrounding postmodernism, and on the use of theory by artists, curators, critics, and historians.

This landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the movement. It also contains more recent memoirs by participants, as well as critical histories of the period by some of today's leading artists and art historians. Many of the essays and artists' statements have been translated into English specifically for this volume. A good portion of the exchange between artists, critics, and theorists took place in difficult-to-find limited-edition catalogs, small journals, and private correspondence. These influential documents are gathered here for the first time, along with a number of previously unpublished essays and interviews.

Contributors
Alexander Alberro, Art & Language, Terry Atkinson, Michael Baldwin, Robert Barry, Gregory Battcock, Mel Bochner, Sigmund Bode, Georges Boudaille, Marcel Broodthaers, Benjamin Buchloh, Daniel Buren, Victor Burgin, Ian Burn, Jack Burnham, Luis Camnitzer, John Chandler, Sarah Charlesworth, Michel Claura, Jean Clay, Michael Corris, Eduardo Costa, Thomas Crow, Hanne Darboven, Raúl Escari, Piero Gilardi, Dan Graham, Maria Teresa Gramuglio, Hans Haacke, Charles Harrison, Roberto Jacoby, Mary Kelly, Joseph Kosuth, Max Kozloff, Christine Kozlov, Sol LeWitt, Lucy Lippard, Lee Lozano, Kynaston McShine, Cildo Meireles, Catherine Millet, Olivier Mosset, John Murphy, Hélio Oiticica, Michel Parmentier, Adrian Piper, Yvonne Rainer, Mari Carmen Ramirez, Nicolas Rosa, Harold Rosenberg, Martha Rosler, Allan Sekula, Jeanne Siegel, Seth Siegelaub, Terry Smith, Robert Smithson, Athena Tacha Spear, Blake Stimson, Niele Toroni, Mierle Ukeles, Jeff Wall, Rolf Wedewer, Ian Wilson

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