9780262033619-0262033615-Domesticity at War (Mit Press)

Domesticity at War (Mit Press)

ISBN-13: 9780262033619
ISBN-10: 0262033615
Edition: Illustrated
Author: Beatriz Colomina
Publication date: 2007
Publisher: The MIT Press
Format: Hardcover 280 pages
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Book details

ISBN-13: 9780262033619
ISBN-10: 0262033615
Edition: Illustrated
Author: Beatriz Colomina
Publication date: 2007
Publisher: The MIT Press
Format: Hardcover 280 pages

Summary

Domesticity at War (Mit Press) (ISBN-13: 9780262033619 and ISBN-10: 0262033615), written by authors Beatriz Colomina, was published by The MIT Press in 2007. With an overall rating of 3.6 stars, it's a notable title among other Criticism (Architecture, Decorative Arts & Design) books. You can easily purchase or rent Domesticity at War (Mit Press) (Hardcover) from BooksRun, along with many other new and used Criticism books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.09.

Description

When American architects, designers, and cultural institutions converted wartime strategies to new ends, the aggressive promotion of postwar domestic bliss became another kind of weapon.

In the years immediately following World War II, America embraced modern architecture―not as something imported from Europe, but as an entirely new mode of operation, with original and captivating designs made in the USA. In Domesticity at War, Beatriz Colomina shows how postwar American architecture adapted the techniques and materials that were developed for military applications to domestic use. Just as manufacturers were turning wartime industry to peacetime productivity―going from missiles to washing machines―American architects and cultural institutions were, in Buckminster Fuller's words, turning "weaponry into livingry."This new form of domesticity itself turned out to be a powerful weapon. Images of American domestic bliss―suburban homes, manicured lawns, kitchen accessories―went around the world as an effective propaganda campaign. Cold War anxieties were masked by endlessly repeated images of a picture-perfect domestic environment. Even the popular conception of the architect became domesticated, changing from that of an austere modernist to a plaid-shirt wearing homebody.

Colomina examines, with interlocking case studies and an army of images, the embattled and obsessive domesticity of postwar America. She reports on, among other things, MOMA's exhibition of a Dymaxion Deployment Unit (DDU), a corrugated steel house suitable for use as a bomb shelter, barracks, or housing; Charles and Ray Eames's vigorous domestic life and their idea of architecture as a flexible stage for the theatrical spectacle of everyday life; and the American lawn as patriotic site and inalienable right.Domesticity at War itself has a distinctive architecture. Housed within the case are two units: one book of text, and one book of illustrations―most of them in color, including advertisements, newspaper and magazine articles, architectural photographs, and more.

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