9780253218131-0253218136-Art in Crisis: W. E. B. Du Bois and the Struggle for African American Identity and Memory

Art in Crisis: W. E. B. Du Bois and the Struggle for African American Identity and Memory

ISBN-13: 9780253218131
ISBN-10: 0253218136
Edition: Illustrated
Author: Amy Helene Kirschke
Publication date: 2007
Publisher: Indiana University Press
Format: Paperback 296 pages
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Book details

ISBN-13: 9780253218131
ISBN-10: 0253218136
Edition: Illustrated
Author: Amy Helene Kirschke
Publication date: 2007
Publisher: Indiana University Press
Format: Paperback 296 pages

Summary

Art in Crisis: W. E. B. Du Bois and the Struggle for African American Identity and Memory (ISBN-13: 9780253218131 and ISBN-10: 0253218136), written by authors Amy Helene Kirschke, was published by Indiana University Press in 2007. With an overall rating of 3.6 stars, it's a notable title among other Criticism (Arts History & Criticism, History) books. You can easily purchase or rent Art in Crisis: W. E. B. Du Bois and the Struggle for African American Identity and Memory (Paperback) from BooksRun, along with many other new and used Criticism books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

The Crisis was an integral element of the struggle to combat racism in America. As editor of the magazine (1910–1934), W. E. B. Du Bois addressed the important issues facing African Americans. He used the journal as a means of racial uplift, celebrating the joys and hopes of African American culture and life, and as a tool to address the injustices black Americans experienced―the sorrows of persistent discrimination and racial terror, and especially the crime of lynching. The written word was not sufficient. Visual imagery was central to bringing his message to the homes of readers and emphasizing the importance of the cause. Art was integral to his political program. Art in Crisis: W. E. B. Du Bois and the Struggle for African American Identity and Memory reveals how W. E. B. Du Bois created a "visual vocabulary" to define a new collective memory and historical identity for African Americans.

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