9780253209443-0253209447-Reel Families: A Social History of Amateur Film (Arts and Politics of the Everyday)

Reel Families: A Social History of Amateur Film (Arts and Politics of the Everyday)

ISBN-13: 9780253209443
ISBN-10: 0253209447
Author: Patricia R. Zimmermann
Publication date: 1995
Publisher: Indiana University Press
Format: Paperback 208 pages
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Book details

ISBN-13: 9780253209443
ISBN-10: 0253209447
Author: Patricia R. Zimmermann
Publication date: 1995
Publisher: Indiana University Press
Format: Paperback 208 pages

Summary

Reel Families: A Social History of Amateur Film (Arts and Politics of the Everyday) (ISBN-13: 9780253209443 and ISBN-10: 0253209447), written by authors Patricia R. Zimmermann, was published by Indiana University Press in 1995. With an overall rating of 3.6 stars, it's a notable title among other Historical Study & Educational Resources (Cultural, Anthropology) books. You can easily purchase or rent Reel Families: A Social History of Amateur Film (Arts and Politics of the Everyday) (Paperback) from BooksRun, along with many other new and used Historical Study & Educational Resources books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

Amateur film has been seen as the junkheap of private culture. Yet music videos recycle home movies as authenticity; commercials copy its style to sell intimacy; documentaries use it to recount history "from below."

Reel Families is the first historical study of amateur film, the most pervasive of media. Patricia Zimmerman charts the history of this medium from 1897 to the present, examining how ideological, technical, and social constraints have stunted amateur film's potential for extending media production beyond corporate monopolies and into the hands of everyday people. She draws on an array of sources―camera manufacturers, patents, early film and photography technology journals, amateur filmmaking magazines, professional magazines, and family-oriented popular magazines―to investigate how the concept of amateur film was transformed within evolving contexts of technology, aesthetics, social relations, and politics.

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